From 667818a9568bc7e6feff6289425092adcc7941c0 Mon Sep 17 00:00:00 2001 From: axelberndt Date: Tue, 2 Jun 2020 13:29:43 +0200 Subject: [PATCH] v2.0.3 - Edited the Bach minuet sample encoding. - Added Vulpius sample encoding. --- .../BWV 1007 Minuet No 2.mpm | 5 +- .../Die helle Sonn.mid | Bin 0 -> 1429 bytes .../Die helle Sonn.mpm | 564 ++++++++++++++++++ .../Die helle Sonn.msm | 198 ++++++ .../Die helle Sonn_Amateur.mp3 | Bin 0 -> 1107915 bytes .../Die helle Sonn_Baroque.mp3 | Bin 0 -> 855468 bytes .../Die helle Sonn_Baroque.pdf | Bin 0 -> 41929 bytes .../Die helle Sonn_Romantic.mp3 | Bin 0 -> 1105408 bytes .../Die helle Sonn_Romantic.pdf | Bin 0 -> 41314 bytes 9 files changed, 766 insertions(+), 1 deletion(-) create mode 100644 sample encodings/Melchior Vulpius - Die helle Sonn/Die helle Sonn.mid create mode 100644 sample encodings/Melchior Vulpius - Die helle Sonn/Die helle Sonn.mpm create mode 100644 sample encodings/Melchior Vulpius - Die helle Sonn/Die helle Sonn.msm create mode 100644 sample encodings/Melchior Vulpius - Die helle Sonn/Die helle Sonn_Amateur.mp3 create mode 100644 sample encodings/Melchior Vulpius - Die helle Sonn/Die helle Sonn_Baroque.mp3 create mode 100644 sample encodings/Melchior Vulpius - Die helle Sonn/Die helle Sonn_Baroque.pdf create mode 100644 sample encodings/Melchior Vulpius - Die helle Sonn/Die helle Sonn_Romantic.mp3 create mode 100644 sample encodings/Melchior Vulpius - Die helle Sonn/Die helle Sonn_Romantic.pdf diff --git a/sample encodings/Johann S. Bach - Minuet No 2 - BWV 1007/BWV 1007 Minuet No 2.mpm b/sample encodings/Johann S. Bach - Minuet No 2 - BWV 1007/BWV 1007 Minuet No 2.mpm index f16ecf0..e7bf3e6 100644 --- a/sample encodings/Johann S. Bach - Minuet No 2 - BWV 1007/BWV 1007 Minuet No 2.mpm +++ b/sample encodings/Johann S. Bach - Minuet No 2 - BWV 1007/BWV 1007 Minuet No 2.mpm @@ -1,12 +1,15 @@  + + Pablo Carra - Little demo of the mpm format using the Minuet No 2 by Johann Sebastian Bach from the first Cello Suite (BWV 1007). Heinrich Schiff's performance was used as inspiration, but this is in no way an attempt at reconstruction. + This MPM describes a performance of the Minuet No 2 by Johann Sebastian Bach from the first Cello Suite (BWV 1007). Heinrich Schiff's performance was used as inspiration, but this is in no way an attempt at reconstruction. + diff --git a/sample encodings/Melchior Vulpius - Die helle Sonn/Die helle Sonn.mid b/sample encodings/Melchior Vulpius - Die helle Sonn/Die helle Sonn.mid new file mode 100644 index 0000000000000000000000000000000000000000..ceba67a26322d1fdcd6837b8733a0b20336882bd GIT binary patch literal 1429 zcmZuv&1&0V5M0?#+6T~~$F!&Pk{W|CR*m`WRE`M}wA6(ba&X`)6k6io^Z_h=1Rr|w z59BTS4*hwNyooxasw=ti#mu)mv$H#LJo#ir7>} z9!vJ2mdSTM4{LnBkiSf?FWFO1Bs;>-k5`h_AHAJj&o8fLOS2l-rCAI_R-tv%MF=n= z7y*p!x1-qli?O&U#yeso0yrl)&lwP-Jp~t~ab7CG87pTcsUnN%xihh-U{FjMdkQMH zkkM9G9di&}b?1I4_k>mmoA2b&kG`L)f9X7O1kx~f^=Ng;>0eS{K1!`50 zWTRI6q`9X~WJ>VBAazrqB$cU$R@AJ|LD+m+x;-3Z5N+*ZV|L5@X=4NTOZ8*BN$hHNsYXO`PoB*^DX~+8LCKuZ-K!+dz=n`NB7a(N#fC>$# zbO<_C(4;{VCqaN7*$R}+FPygmasqIegu|yU$;GA^q;3kDlr_O_QN}B}taJhNKs75k cdj~10Yj0l%_L!%R_n)dcsd*c*GX=!{2bUbZ3;+NC literal 0 HcmV?d00001 diff --git a/sample encodings/Melchior Vulpius - Die helle Sonn/Die helle Sonn.mpm b/sample encodings/Melchior Vulpius - Die helle Sonn/Die helle Sonn.mpm new file mode 100644 index 0000000..7b62c33 --- /dev/null +++ b/sample encodings/Melchior Vulpius - Die helle Sonn/Die helle Sonn.mpm @@ -0,0 +1,564 @@ + + + + + + Pablo Carra + Axel Berndt + + Three performances of Melchior Vulpius' chorale "Die helle Sonn' leucht' jetzt herfür". The performances are conceived for an instrumental setting consisting of oboe, violin, viola and bassoon. + 1. Baroque: A typical performance of the chorale. + 2. Romantic: A performance in a more romantic style. + 3. Amateur: Meant to be a sloppy performance of an amateur ensemble. It is based on the romantic performance but introduces asynchrony and more significant imprecision on the level of timing, dynamics and articulation. This causes, for instance, the bass being late and the alto being too loud every now and then. + + All performances were coneived by author 1 Pablo Carra. Author 2 Axel Berndt has added minor editings, mostly code polishing. + + + + + + + + + + + + +
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