From a81aeb0b82ef77f2a4959f8763827b63208a7f6a Mon Sep 17 00:00:00 2001 From: axelberndt Date: Wed, 3 Jun 2020 10:27:18 +0200 Subject: [PATCH] v2.0.3 - Added another sample encoding, Telemann Grave --- .../Telemann - Grave.mid | Bin 0 -> 2759 bytes .../Telemann - Grave.mpm | 739 ++++++++++++++++++ .../Telemann - Grave.msm | 338 ++++++++ .../Telemann - Grave_Baroque.mp3 | Bin 0 -> 3645764 bytes .../Telemann - Grave_Baroque.pdf | Bin 0 -> 183846 bytes .../Telemann - Grave_Fast.mp3 | Bin 0 -> 1808415 bytes .../Telemann - Grave_Fast.pdf | Bin 0 -> 206645 bytes .../Telemann - Grave_Romantic.mp3 | Bin 0 -> 3396660 bytes .../Telemann - Grave_Romantic.pdf | Bin 0 -> 207624 bytes 9 files changed, 1077 insertions(+) create mode 100644 sample encodings/Georg P. Telemann - Grave - TWV 51-D7/Telemann - Grave.mid create mode 100644 sample encodings/Georg P. Telemann - Grave - TWV 51-D7/Telemann - Grave.mpm create mode 100644 sample encodings/Georg P. Telemann - Grave - TWV 51-D7/Telemann - Grave.msm create mode 100644 sample encodings/Georg P. Telemann - Grave - TWV 51-D7/Telemann - Grave_Baroque.mp3 create mode 100644 sample encodings/Georg P. Telemann - Grave - TWV 51-D7/Telemann - Grave_Baroque.pdf create mode 100644 sample encodings/Georg P. Telemann - Grave - TWV 51-D7/Telemann - Grave_Fast.mp3 create mode 100644 sample encodings/Georg P. Telemann - Grave - TWV 51-D7/Telemann - Grave_Fast.pdf create mode 100644 sample encodings/Georg P. Telemann - Grave - TWV 51-D7/Telemann - Grave_Romantic.mp3 create mode 100644 sample encodings/Georg P. Telemann - Grave - TWV 51-D7/Telemann - Grave_Romantic.pdf diff --git a/sample encodings/Georg P. Telemann - Grave - TWV 51-D7/Telemann - Grave.mid b/sample encodings/Georg P. Telemann - Grave - TWV 51-D7/Telemann - Grave.mid new file mode 100644 index 0000000000000000000000000000000000000000..82f19134b7fbeaa66db5129628e4c2fcb86f1148 GIT binary patch literal 2759 zcmb7^%W9KR6opSs6({1ri8zY0lG27=Xeq^#rfot(uPEYBF@nWQL|>qP!BHnog*xs7 z_zvn5IC1X8=ZNe3|I?KdQbL`CmA&^``+EMJC$Bppgj-=EOy2ml^W@_j{ks?X2c^j` ze?tG+WNG65?a;4=!d3bj`VS{U=$G~LeJb=zcb*=0-yXj2miIp%zUzk5-Ofq*Xg7q@ zCZH*>2iOy6bk1u>jnvh`)sm&v`MjTlHlQubHeg#|7l2^9bNV57IoK&$D5Fyc)CJZ7 z>#1cI%TQt4SV%D@=^oiBJ_%OMMTG*;oxRz)c%HYsO<%a0&>4bj9?cbpaPfT5>Q&84 zXeg^=u2NJm<7iU{EXR!2k(8)lSX;2Ra+U@Jy~XGY!B|FAR?)7*i}K74=>93bh1-cJ6?GyU12|0yzY_X1&9n)YO#r+EmT}6YDD3Heo47V**;Mg4*aGM}q$7Y1y=S_P9*2{=tZd6B%7so8q~%QQNJp+hM*tmL_+rEu z1s63d7d4NmC+0dS4+^SLVokI<0R9GGL%{v;?Z{nDU!z1=Te#?X4a-_imj${7lN5>} zg$G^J=5n1il0vtR2gK3mJ80=6l25@ybUmZv;MyWffZ5rStVi|W@}3gcC`-W%+A&;h z+=0N*zP-YvRMR8iYKQ4=hv%K?d8@EkAza{?7WC45V=n!gNfSwXV|%?|VBf{NmAwV0h-pUIo zFUYlsGQm?=rUYiNP^*hJopV0cIiEcOJQA>F70YVwk`6A%B(BI>A$UbGt0aZxn8XzY zmkDMFE81<&@>o`&qcd9Sm}ywh`yQiHC3~?j0R}#*JVzP0d^gEW$OZj+4aRmn1ea>d z67{fC55X~sD^6^Y;NlWAx}k#}Q>t5@fnHp#09{ODnHKQC9h0~st3ogjW19KEa!lfi Yf>Q)@eigP1%Lf@>2oFpym7&M|59oAAOaK4? literal 0 HcmV?d00001 diff --git a/sample encodings/Georg P. Telemann - Grave - TWV 51-D7/Telemann - Grave.mpm b/sample encodings/Georg P. Telemann - Grave - TWV 51-D7/Telemann - Grave.mpm new file mode 100644 index 0000000..e403cfa --- /dev/null +++ b/sample encodings/Georg P. Telemann - Grave - TWV 51-D7/Telemann - Grave.mpm @@ -0,0 +1,739 @@ + + + + + + Axel Berndt + + Three performances of Georg Philipp Telemann's Grave from the Concert for Trumpet, Strings and Basso Continuo (TWV 51-D7). This movement is without trumpet. + + 1. Baroque: This performance has constant macro dynamics (mp) and distinct micro dynamics (metrical accentuation, articulation), slow tempo and slight inégalité (via rubato and articulation). + + 2. Fast: Not quite a typical performance for a Grave, this features a relatively fast tempo with distinct ritardandi on phrase endings coupled with similarly shaped macro dynamics. Articulation is generally short to support the more rhythmical idea of the performance. Micro timing (rubato) is snappy in so far as every two quarter notes are played in a short-long manner (do not let your ears fool you by the quasi-inverse articulation, long-short or legato-nonlegato). + + 3. Romantic: This performance features distinct macro dynamics and timing. Quite prominent is also the swing-like micro timing (rubato), more pronounced in the violins, less in the bass. It is based on a performance by Ludwig Güttler and the "Neues Bachisches Collegium Musicum". + + + + + + + + + + + + + +
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