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The Class of the New Richard Barbrook
Copyright
This work is licensed under the Creative Commons AttributionShareAlike 2.5 License. To view a copy of this license, visit
<creativecommons.org/licenses/by-sa/2.5> or send a letter to
Creative Commons, 543 Howard Street, 5th Floor, San Francisco,
California, 94105, USA.
A Creative Workers in a World City project
Book URL <www.theclassofthenew.net>
Published, POD (print on demand) design and production by
<openmute.org>
ISBN: 0-9550664-7-6
Contents
1. Introduction .................................................................................................... p.007
2. Defining the New Class ...................................................................... p.011
3. The Makers of the Future ................................................................ p.015
4. The Classes of the New ...................................................................... p.051
5. References ........................................................................................................... p.107
004
005
Acknowledgments
Big Shout: Ricardo Ruiz, Tatiana Wells and Paulo Lara for finding and
translating Décio Piganatari’s definition of the Produsumers.
Respect due: CREAM/University of Westminster; Anthony Iles; Benedict
Seymour; Demetra Kotouza; Doug Henwood; John Barker; Ilze Black;
Kaveh Nouri; Laura Oldenbourg; Martin Housden; Pauline van Mourik
Broekman; Simon Worthington; Sookie Choi; Sonya Williams; Tom
Campbell; and the Cybersalon crew.
Soundtrack: Phuture Frequency Radio <www.pfradio.com>.
006
In this short book, Richard Barbrook presents a collection of quotations
from authors who in different ways attempt to identify an innovative
element within society – what Barbrook calls ‘the class of the new’. This
model workforce announces a new economic and social paradigm,
constituting a ‘social prophecy’ of the shape of work to come. Their
mode of being and, in particular, of producing, is set to become hegemonic. No matter how numerically limited at present, the way they live
and work today is the way everyone else will live and work tomorrow.
From Adam Smith’s ‘Philosophers’ of the late-eighteenth century,
down to the ‘Creative Class’ celebrated by sociologist Richard Florida
today, the class of the new represents the future of production within and,
for the author, beyond capitalism. In his essay introducing the textual
montage, Barbrook offers his own interpretation of the mutations in the
form and content of the class of the new, giving technological development a revelatory role: making new things in new ways constitutes the
new class. Marginal at present, it is nonetheless potentially universal.
Focusing on the convergence among ostensibly disparate writers
around the notion that contemporary ‘immaterial labour’ or ‘cognitive
007
1.
Introduction
by Anthony Iles & Ben Seymour
capitalism’ is both exemplary and potentially emancipatory,
Barbrook considers the claims made for the latest embodiment of
the ‘class of the new’. If the rhetoric of liberation through new
kinds of work is never less than problematic, we should remain
optimistic about the tendency of networked, cooperative and ‘livework’ forms of production to overturn hierarchies and reduce
inequalities in labour and in life. Like the highest stage in the previous orders of technologically-centred development, the class of
the new in its current ‘creative’ and informatic form poses a radical
challenge to capitalism’s regime of intellectual property and division of labour which could go far beyond what creative class ideologues currently claim for it.
Wagering that this latest incarnation of the class of the new
need not remain an exclusive club, Barbrook enjoins the technocrats who oversee the smooth accumulation of capital in ‘world
cities’ like London to consider the economic benefits of including
and supporting the ‘mass creativity’ of those whose work does not
yet enjoy the privileged status of ‘creative’.
008
The Class of the New
Is creativity really becoming the common and decisive feature of
all labour? Will securing the increased participation of workers in the
‘General Intellect’ ensure a smooth transition to communism?
Whatever one thinks of Barbrook’s own version of the ‘social prophecy’, he offers penetrating criticisms of the feel good rhetoric of
‘Creative Class’ boosters such as Florida.
In reality, the numbers may not bear out the great claims made for
the Creative Class, whether from the point of view of ‘radicals’like Negri
and Hardt (who give them a leadership role in the transition beyond
Empire) or of those who brandish economic arguments for their supremacy such as Florida. Although both believe that what is good for creatives
is now good for capitalism, it is by no means certain that the economic
argument for the Creative Class is as strong as its proponents claim.
Focusing on the problems and potential of the latest class of the
new in early-twenty-first century London, an environment where the
conditions for its triumph are purportedly most promising, this book
gives much needed historical and social context to current debates around
‘cognitive capitalism’ and the transformation of work it is said to entail.
Introduction
009
010
011
2.
Defining the New
Class
The Philosophers – Adam Smith (1776) ... p.051
The Industrials – Henri Saint-Simon (1819) ... p.052
The Civil Servants – Georg Hegel (1821) ... p.053
The Bohemians – Adolphe d’Ennery and Grangé (1843) ... p.053
The Bourgeoisie – Karl Marx and Friedrich Engels (1848) ... p.054
The General Intellect – Karl Marx (1857) ... p.054
The Self-Made Man – Samuel Smiles (1859) ... p.055
The Labour Movement – Karl Marx (1867) ... p.055
The Educated Working Man – Thomas Wright (1868) ... p.056
The Superman – Friedrich Nietzsche (1883) ... p.057
The Aristocracy of the Working Class –
Friedrich Engels (1885) ... p.058
The New Middle Class – William Morris (1885) ... p.058
The Intellectual Proletariat – William Morris (1888) ... p.059
The Vanguard Party – V.I. Lenin (1902) ... p.059
The Samurai – H.G. Wells (1905) ... p.060
The Bureaucrats – Max Weber (1910) ... p.060
The Scientific Managers – Frederick Winslow Taylor (1911) ... p.060
The Labour Aristocracy – V.I. Lenin (1916) ... p.061
The Labour Bureaucracy – Gregory Zinoviev (1916) ... p.061
The Blackshirts – Mario Piazzesi (1921) ... p.062
The Engineers – Thorstein Veblen (1921) ... p.062
The Fordist Worker – Henry Ford (1922) ... p.063
The Open Conspiracy – H.G. Wells (1928) ... p.064
The Intellectuals – Antonio Gramsci (1934) ... p.065
The Managerial Class – James Burnham (1941) ... p.065
The Entrepreneurs – Joseph Schumpeter (1942) ... p.066
The Inner Party – George Orwell (1948) ... p.066
The New Middle Class – C. Wright Mills (1951) ... p.067
The Power Elite – C. Wright Mills (1956) ... p.067
The Organisation Man – William Whyte (1956) ... p.068
The New Class – Milovan Djilas (1957) ... p.069
The Specialists – Ralf Dahrendorf (1957) ... p.069
The New Class – J.K. Galbraith (1958) ... p.070
The Industrial Managers – Clark Kerr (1960) ... p.070
The Order-Givers – Cornelius Castoriadis (1961) ... p.071
The New Working Class – Serge Mallet (1963) ... p.072
The Knowledge Workers – Peter Drucker (1966) ... p.072
The Educational and Scientific Estate – J.K. Galbraith (1967) ... p.073
The Technocrats – Alain Touraine (1969) ... p.074
The Hippies – Abbie Hoffman and Jerry Rubin (1969) ... p.074
The Produsumers – Décio Piganatari (1969) ... p.075
The Scientific Intellectual Labourers – Ernest Mandel (1972) ... p.076
The Knowledge Class – Daniel Bell (1973) ... p.077
The Intermediate Layers – Harry Braverman (1974) ... p.078
The New Petty-Bourgeoisie – Nicos Poulantzas (1974) ... p.079
The Professional-Managerial Class – Barbara &
John Ehrenreich (1975) ... p.079
The Proletarianised Professionals –
Stanley Aronowitz (1975) ... p.080
012
The Class of the New
The Post-Modernists – Jean-François Lyotard (1979) ... p.081
The Socialised Workers – Antonio Negri (1980) ... p.082
The White-Collar Proletarians – Michael Kelly (1980) ... p.083
The Nomads – Gilles Deleuze and Félix Guattari (1980) ... p.083
The Prosumers – Alvin & Heidi Toffler (1980) ... p.084
The Post-Industrial Proletarians – André Gorz (1980) ... p.085
The Entrepreneurs – George Gilder (1981) ... p.086
The Venture Capitalists – John Naisbitt (1982) ... p.087
The Hackers – Steven Levy (1984) ... p.088
The Cyborgs – Donna Haraway (1985) ... p.088
The Symbolic Analysts – Robert Reich (1991) ... p.089
The Virtual Class – Arthur Kroker and
Michael Weinstein (1994) ... p.090
The Netizens – Michael & Ronda Hauben (1995) ... p.090
The Digerati – John Brockman (1996) ... p.091
The Multipreneurs – Tom Gorman (1996) ... p.091
The Immaterial Labourers – Maurizio Lazzarato (1996) ... p.092
The Digital Artisans – Richard Barbrook and
Pit Schultz (1997) ... p.093
The Digital Citizen – Jon Katz (1997) ... p.094
The Swarm Capitalists – Kevin Kelly (1998) ... p.094
The New Independents – Charlie Leadbeater and
Kate Oakley (1999) ... p.095
The Elancers – Helen Wilkinson (1999) ... p.096
The Multitude – Antonio Negri and Michael Hardt (2000) ... p.096
The New Barbarians – Ian Angell (2000) ... p.097
The Bobos (Bourgeois Bohemians) – David Brooks (2000) ... p.097
The Cognitariat – Franco Bifo Berardi (2001) ... p.098
The Free Agents – Daniel Pink (2001) ... p.099
The Cybertariat – Ursula Huws (2001) ... p.100
The Netocracy – Alexander Bard and Jan Söderqvist (2002) ... p.100
The Precariat – Frassanito Network (2002) ... p.101
The Creative Class – Richard Florida (2002) ... p.102
The Pro-Ams – Charlie Leadbeater and Paul Miller (2004) ... p.103
Defining the New Class
013
014
015
3.
The Makers of the
Future
If the previous decades have been the years of the management consultants, the next decades may be the years of the designers, publishers, artists and a variety of other [creative] skills.1
Ken Livingstone, Mayor of London.
The economy of England’s capital city is once again undergoing a
dramatic transformation. In 2002, the GLA(Greater London Authority)
published a report which identified the creative industries as – after
business services – the locality’s fastest growing sector of wealth production and employment opportunities. Its authors explained that –
just like their forebears who moved from the artisan’s workshop to
the Fordist factory – the present generation of Londoners are learning
how to make new things in new ways with new technologies. If the
city was to prosper over the next few decades, the Mayor’s economic
strategy must be focused on providing support and encouragement
1 GLA Economics, Creativity, page 3.
for the businesses of the future: ‘advertising; architecture; the art and
antiques market; crafts; design; designer fashion; film and video; interactive leisure software; music; the performing arts; publishing; software
and computer services; and television and radio.’2
For Ken Livingstone, fostering the creative industries is also
electorally advantageous. His victory as the Labour candidate in the
2004 Mayoral contest demonstrated that the growth of this sector was
widening the voting base for progressive politics in London. Richard
Florida’s The Rise of the Creative Class has provided the GLA with
a theoretical explanation of this shift in party loyalties. According to
the findings of his research, the new employers of the information age
require a new type of employee: highly educated, culturally aware
and technologically adept. As the experience of American cities has
proved, tolerance, diversity and eccentricity are the preconditions for
attracting the members of the Creative Class whose skills and inventiveness are vital for economic prosperity. In an ironic twist, conservative attitudes are now seen as bad for business.3
For those of a more sceptical disposition, Florida’s analysis is
far too one-sided. When applied to London, his celebration of the
creative industries minimises – and excuses – the downsides of the
restructuring of the city’s economy: the dominance of international
finance, the casualisation of employment and the gentrification of
working class neighbourhoods.4 Some observers have even questioned whether the growth of the knowledge economy has changed
the exploitative structures of capitalism in any significant way. In the
2000s, an oligopoly of large corporations and big banks still rules the
world.5 Despite the cogency of their criticisms, these dissenters have
remained a minority voice. Far from rejecting Florida’s approach, the
most influential thinkers on both the Right and the Left are promoting their own versions of the Creative Class. Just like him, they’re
also convinced that the new economic paradigm will vindicate their
016
The Class of the New
2 GLA Economics, Creativity, page 5.
3 See Richard Florida, The Rise of the Creative Class, pages 215-314.
4 See David Panos, ‘Create Creative Clusters’; and Benedict Seymour, ‘Shoreditch
and the Creative Destruction of the Inner City’.
5 See Aufheben, ‘Keep on Smiling’.
own political stance. According to taste, the growth in the number of
information workers can be interpreted as the imminent triumph of
either dotcom capitalism or cybernetic communism. Although often
bitterly divided in their politics, these gurus still share a common theoretical position. Whether on the Right or the Left, all of them champion
the same social prophecy: the new class is prefiguring today how
everyone else will work and live tomorrow.
Their theoretical analyses have a venerable pedigree. Long before
the Creative Class became a fashionable phrase, the members of this
new social group were being described as the Prosumers, the Venture
Capitalists, the Cyborgs and the Symbolic Analysts. Back in the early1970s, Daniel Bell formulated the theoretical template for this social
prophecy. Inspired by Marshall McLuhan’s technological reveries, he
claimed that the rapid convergence of media, telecommunications and
computing was sweeping away the economic, political and cultural
certainties of the industrial age. Anticipating universal access to the
Net, Bell predicted that the advent of the information society would
inevitably lead to the hegemony of the creators of information: the
Knowledge Class.6Over three decades have passed since this prophecy
was first made. The terminology may have changed many times and
its political meaning taken different forms, but the theory has remained
the same. The rapid spread and increasing sophistication of the Net is
bringing about the rise to power of the Knowledge Class. The future
is what it used to be.7
In the early-twenty-first century, analysts and intellectuals are
still entranced by this McLuhanist vision of the new class. Across the
political spectrum, the Net is praised as the demiurge of the hegemony
of the producers of information. Yet, for all its futurist rhetoric, the
theoretical antecedents of this prophecy can be traced back even further
than Bell’s speculations in the early-1970s. At the dawn of modernity in the late-eighteenth century, Adam Smith was the first person to
put forward the argument that the economic growth was creating a
specific group of modernisers. By deepening the division of labour,
The Makers of the Future
017
6 See Daniel Bell, The Coming of Post-Industrial Society.
7 For a more detailed analysis of the historical origins of the information society
prophecy, see Richard Barbrook, Imaginary Futures.
the market and the factory were increasing the efficiency of the workforce and raising the quality of their products.8 Within an economy
diversified into different specialist trades, the Philosophers who
improved and invented machinery had acquired a distinctive social
role: designing the future.
In the more than two centuries which have passed between Adam
Smith’s time and our own, many different thinkers have proposed their
own versions of the theory of the new class. Following the examples
of Walter Benjamin’s The Arcades Project and Humphrey Jennings’
Pandaemonium, the next section of this book uses a montage of quotations to tell the story of this social prophecy. In the same way that
music samples can be mixed together to make a new tune, Benjamin
discovered that his collection of research notes was turning into a book
in its own right. Just like splicing different shots together to produce a
film, Jennings constructed a historical narrative out of quotations from
many different authors. What intrigued Benjamin was that this approach
was able to reveal the contemporary ‘after-life’ of writings from the
past. Creating a montage of quotations could achieve what he believed
to be the primary purpose of historical research: understanding what
was happening in the present. For Jennings, this technique allowed his
readers to experience the cultural and political complexity of the past.
By presenting the divergent views of our forebears, he could show that
there was nothing preordained about the social structures of the present.
Collecting quotations was his poetic antidote to the positivist certainties of academic historians.9
Inspired by Benjamin and Jennings’ methodology, this book
brings together 86 definitions of the new class from the past 230 years.
The well-known passages by famous authors are included along with
obscure pieces by long-forgotten writers. The seekers after wisdom
are found side-by-side with the promoters of confusion. Of course,
the quotations which have been chosen are only short excerpts from
long books. Because the passages were selected for their relevance to
the overall argument of this book, the more nuanced positions of their
018
The Class of the New
8 See Adam Smith, The Wealth of Nations Volume 1, pages 7-25.
9 See Walter Benjamin, The Arcades Project, page 456-476; and Humphrey
Jennings, Pandaemonium, pages xxxv-xxxix.
authors are often lost. There is no substitute for reading the original
texts. Yet, as Benjamin and Jennings demonstrated, a montage of quotations will create its own meanings. Reading through these different
concepts of the class of the new reveals both continuities and discontinuities in the definition of this icon of modernity over the last two
centuries. By analysing what has changed and what has remained the
same, we can come closer to comprehending the political and economic
significance of this social prophecy in the present.
The process of selecting quotations for this book highlights
what thinkers with very different ideological positions have in
common. Whatever their political loyalties, their definitions of the
new class all start from the same fundamental theoretical insight:
human history is an evolutionary process. In agrarian societies, time
was seen as cyclical and immutable. Both Aristotle and Muhammad
Ibn Khaldûn analysed history as the repetitive rise and fall of the
same contending classes.10 But, with the advent of modernity, time
became the linear movement of progress. In The Wealth of Nations,
Adam Smith explained that humanity had evolved through a succession of economic stages: hunting, herding, agriculture and, finally,
commerce.11 Crucially, it was this materialist conception of history
which inspired his characterisation of the Philosophers as the class
of the new. If agriculture had evolved into commerce, then capitalism itself must also be a dynamic social system. The inventors of
machinery were the makers of the future.
From Adam Smith’s first iteration, all subsequent definitions of
the new class have derived their theoretical foundation: historical evolution. Like Benjamin and Jennings, many of the promoters of this
concept on the Left have also been sceptical about the benefits of capitalist progress. However, this rejection of Adam Smith’s economic
liberalism didn’t lead them into sociological Creationism. On the
contrary, they saw the new class as the promise of a new – and better
– society. Just as importantly, the intellectuals of the Right never used
The Makers of the Future
019
10 See Aristotle, The Politics, pages 101-234; and Muhammad Ibn Khaldûn, The
Mugaddimah, pages 91-261.
11 See Adam Smith, The Wealth of Nations Volume 1, pages 401-445; Volume 2,
pages 213-253. Also see Adam Ferguson, An Essay on the History of Civil Society.
this theory to advocate a return to the agrarian past. When Friedrich
Nietzsche proclaimed the advent of the Superman in the 1880s, his
aristocratic fantasy was presented as a modernist alternative to the
equalitarian path of social evolution. According to Mario Piazzesi, the
chronicler of the fascist counter-revolution in 1920s Italy, the
Blackshirts were hi-tech warriors and businessmen. In more recent
times, Ian Angell has promoted the concept of the New Barbarians
while Alexander Bard and Jan Söderqvist have looked forward to the
ascendancy of the Netocracy. Echoing Nietzsche, these conservatives
argued that – far from being retrogressive – their elitist dreams described
the inevitable consequences of historical progress. The only way of
restoring feudal privileges is moving forwards into the future.
For each and every one of the authors in this book, defining the
new class was a way of describing their own experience of the evolution of capitalism. Over the past two centuries, the restructuring of
working methods and the development of better machinery have been
the driving forces of this economic system.12 Each wave of organisational and technological changes has required another reordering of
the hierarchical relationship between capital and labour.13 In successive generations, the concept of the new class has been used to analyse
the impact of this process upon the social structures of modernity. The
majority of the definitions in this book were attempts to understand
how the latest surge of progress was going to impact upon the opposing
poles of the capitalist economy. Depending upon the political motivations of their authors, the concepts of the class of the new have taken
two distinct forms: the new ruling class and the new working class.
Sometimes the same definition has been used to identify the latest
iteration of both capital and labour. In other cases, different concepts
have described the new forms of a specific class. By assigning them
to one or both of these variants, the definitions of the new class form
two distinctive lines of historical succession:
020
The Class of the New
12 See Karl Marx, Grundrisse, pages 690-743; Capital Volume 1, pages 492-639,
1034-1065.
13 See the analyses of the changing social composition of the twentieth century
European and American class systems in Sergio Bologna, ‘The Tribe of Moles’; and
Antonio Negri, ‘Keynes and the Capitalist Theories of the State Post-1929’.
The New Ruling Class
the Philosophers ⇒the Industrials ⇒the Civil Servants ⇒the Bourgeoisie
⇒ the Self-Made Man ⇒ the Superman ⇒ the Vanguard Party ⇒ the
Samurai ⇒the Bureaucrats ⇒the Scientific Managers ⇒the Blackshirts
⇒ the Open Conspiracy ⇒ the Intellectuals ⇒ the Managerial Class ⇒
the Entrepreneurs ⇒the Inner Party ⇒the Power Elite ⇒the New Class
⇒ the Industrial Managers ⇒ the Order-Givers ⇒ the Technocrats ⇒
the Knowledge Class ⇒ the Post-Modernists ⇒ the ProfessionalManagerial Class ⇒the Entrepreneurs ⇒the Venture Capitalists ⇒the
Symbolic Analysts ⇒ the Virtual Class ⇒ the Digerati ⇒ the Digital
Citizen ⇒ the Swarm Capitalists ⇒ the New Barbarians ⇒ the Bobos
⇒ the Netocracy ⇒ the Creative Class.
The New Working Class
the Industrials ⇒ the Bohemians ⇒ the General Intellect ⇒ the Labour
Movement ⇒ the Educated Working Man ⇒ the Aristocracy of the
Working Class ⇒ the Intellectual Proletariat ⇒ the Vanguard Party ⇒
the Labour Aristocracy ⇒ the Engineers ⇒ the Fordist Worker ⇒ the
Intellectuals ⇒ the New Working Class ⇒ the Knowledge Workers ⇒
the Educational and Scientific Estate ⇒the Hippies ⇒the Produsumers
⇒ the Scientific Intellectual Labourers ⇒ the Proletarianised
Professionals ⇒ the Post-Modernists ⇒ the Socialised Workers ⇒ the
White-Collar Proletarians ⇒the Nomads ⇒the Prosumers ⇒the PostIndustrial Proletarians ⇒ the Hackers ⇒ the Cyborgs ⇒ the Symbolic
Analysts ⇒ the Virtual Class ⇒ the Netizens ⇒ the Multipreneurs ⇒
the Immaterial Labourers ⇒the Digital Artisans ⇒the New Independents
⇒ the Elancers ⇒ the Multitude ⇒ the Cognitariat ⇒ the Free Agents
⇒the Cybertariat ⇒the Precariat ⇒the Creative Class ⇒the Pro-Ams.
These two parallel histories demonstrate how – as Benjamin and
Jennings pointed out – a montage of quotations can reveal its own
meanings. By following the two lines of succession, it becomes clear
that the originators of these different versions of the new class were
responding to the evolution of the capitalist economy. In its early liberal
form, the leaders of the emerging industrial system were lauded as
heroic and innovative individuals: the Philosophers, the Industrials,
the Self-Made Man and the Superman. Even the socialist critics of capitalism could admire the dynamism of the new class of the Bourgeoisie
The Makers of the Future
021
which ‘… has created more massive and colossal productive forces
than have all preceding generations together.’14 Facing this formidable enemy, the Left argued that the proletariat was also one of the
primary driving forces of modernity: the Industrials, the Bohemians,
the General Intellect, the Labour Movement, the Educated Working
Man and the Aristocracy of the Working Class.
As liberalism gave way to Fordism, the dominant archetype of
the new class changed almost beyond recognition.15 For the analysts
of the elite, their most pressing task was to name the bosses who ran
the rapidly expanding bureaucracies of big business and big government. Already, in the early-nineteenth century, Georg Hegel had anticipated this new form of the new ruling class in his concept of the Civil
Servants. Inspired by this example, twentieth century thinkers produced
a plethora of definitions for the rulers of Fordism: the Samurai, the
Bureaucrats, the Scientific Managers, the Blackshirts, the Open
Conspiracy, the Managerial Class, the Power Elite, the Industrial
Managers, the Order-Givers, the Technocrats and the ProfessionalManagerial Class. Instead of opposing the rise of this administrative
elite, some groups on the Left seized this opportunity to turn themselves
into the masters of the bureaucratic system. Inspired by the Fabians’
statist redefinition of socialism, H.G. Wells argued that the Samurai had
replaced the Labour Movement as the pioneer of the post-capitalist
future. The tragedy of the 1917 Russian revolution – when the leadership of the oppressed became their oppressors – can be followed through
the different definitions of this specific type of the new ruling class: the
Vanguard Party, the Labour Bureaucracy, the Intellectuals, the Inner
Party and Milovan Djilas’ version of the New Class.
According to Henry Ford himself, the Fordist Worker – the employees of the factories which epitomised the bureaucratisation of capitalism – was the sort of person who ‘… wants a job in which he does not
have to think.’16 Ironically, although he gave his name to this economic
paradigm, this captain of industry’s definition ignored one of the most
022
The Class of the New
14 Karl Marx and Friedrich Engels, The Communist Manifesto, page 20.
15 For an explanation of this transformation of capitalism, see Michel Aglietta, A
Theory of Capitalist Regulation.
16 Henry Ford, My Life and Work, page 103.
distinctive features of corporate capitalism: the proletarianisation of
scientific, technical, administrative and intellectual labour. From the
late-nineteenth century onwards, influential social theorists have emphasised the prefigurative role of this group of educated and cultured
employees. Far from producing a population of mindless drones,
Fordism was creating its own bureaucratic versions of the new working
class: the Intellectual Proletariat, the Vanguard Party, the Labour
Aristocracy, the Engineers, the Intellectuals, the New Working Class,
the Knowledge Workers, the Educational and Scientific Estate, the
Scientific Intellectual Labourers, the Proletarianised Professionals and
the White-Collar Proletarians.
When Fordism was superseded, there was another dramatic shift
in the dominant archetype of this social prophecy. The evolution of the
economy required a rethinking of fundamental ideas. In the mid-twentieth century, Joseph Schumpeter was already arguing for a new vision
of the new ruling class: the Entrepreneurs. Dismissed at the time as nostalgia for the liberal icon of the Self-Made Man, his concept provided
the inspiration four decades later for a new generation of conservative
thinkers in America and Europe who had lost faith in the infallibility of
big business and big government. Throughout the 1980s, they proclaimed the imminent triumph of a heroic elite of innovators, fortune
hunters and speculators: George Gilder’s definition of the Entrepreneurs
and the Venture Capitalists. Above all, like Adam Smith, these theorists
argued that the transformative power of new technology was behind
the rise of this new ruling class. From the early-1990s onwards, as media,
telecommunications and computing converged into the Net, the charismatic leaders of hi-tech businesses were praised as the makers of the
future: the Symbolic Analysts, the Virtual Class, the Digerati, the Digital
Citizen, the Swarm Capitalists, the New Barbarians, the Bobos, the
Netocracy and the Creative Class.
The faltering of Fordism also tarnished the modernist image
of the new working class of salaried intellectuals employed by the
large corporations and government departments. At first, the young
people radicalised in the 1960s sought a replacement for this social
group among their peers who – like the Bohemians in the early-nineteenth century – were looking for a way of living outside the confines
of the bureaucratic system: the Hippies, the Produsumers, the PostModernists and the Nomads. But, as the crisis of Fordism deepened,
The Makers of the Future
023
the economic consequences of the restructuring of capitalism could
no longer be ignored. Crucially, it was the refusal of many young
workers to conform to the disciplines of the factory and the office
which had discredited bureaucratic methods of organisation. In the
late-1970s and early-1980s, some theorists argued that economic
changes were building the political base of the New Left revolution.
The growth in self-employment and short-term contracts was creating
a new – and fiercely independent – working class: the Socialised
Workers and the Post-Industrial Proletarians.
During the 1990s, this radical prophecy became a mainstream
orthodoxy. What was once denounced as New Left subversion was
now praised as neo-liberal modernisation. In the fashionable business
manuals of the dotcom boom, top-down bureaucracy was castigated
as an expensive and inefficient method of controlling the labour force
of the information economy.
17 Three decades earlier, Peter Drucker
– the founding father of management theory – had pointed out that:
‘The knowledge worker cannot be supervised closely or in detail …
he must direct himself.’18 Building upon this analysis, his admirers
explained that the new post-Fordist working class was quite capable
of managing its own exploitation by capital: the Multipreneurs, the
New Independents, the Elancers, the Free Agents and the Pro-Ams.
From the early-1980s onwards, the growth of this self-directed form
of employment was closely associated with the accelerating convergence of media, telecommunications and computing. In their definitions, some intellectuals have emphasised the benefits that this new
entrepreneurial working class derives from the knowledge economy:
the Prosumers, the Hackers, the Symbolic Analysts, the Virtual Class,
the Digital Citizen and the Creative Class. Others have celebrated
the subversive potential of the networked proletariat: the Cyborgs,
the Netizens, the Immaterial Labourers, the Digital Artisans, the
Multitude, the Cognitariat, the Cybertariat and the Precariat. Above
all, whether they were on the Right or the Left, these analysts insisted
that the new working class of this cognitive stage of capitalism should
024
The Class of the New
17 See Rick Levine, Christopher Locke, Doc Searls and David Weinberger, The
Cluetrain Manifesto; and Jonas Ridderstråle and Kjell Nordström, Funky Business.
18 Peter Drucker, The Effective Executive, page 4.
be admired for its intellectual accomplishments, cultural sophistication and technological savvy.19
This contemporary fascination with the educated and entrepreneurial members of the proletariat has deep historical roots. For
over two centuries, creativity has been at the centre of the struggle
between capital and labour. As the industrial system has evolved,
the contending classes have fought not only over the division of the
fruits of production, but also over the control of the workplace. In
The Wealth of Nations, Adam Smith showed how the increasing
division of labour allowed capitalists to replace self-governing skilled
artisans with more submissive unskilled employees.20 In Capital,
Karl Marx explained how the introduction of more advanced machinery enabled factory managers to determine the pace and intensity of
work.21 During the first half of the twentieth century, this separation of conception and action reached its apogee. Frederick Winslow
Taylor believed that the Scientific Managers could monopolise all
decision-making within the economy. Henry Ford offered higher
wages in return for the Fordist Worker submitting unquestioningly
to the disciplines of the assembly line. In the early-twentieth century,
even prominent anti-capitalist intellectuals were convinced that this
division between thinking and doing was not only inevitable, but also
desirable. Just like the Scientific Managers within the factories, V.I.
Lenin argued that the Vanguard Party should become the absolute
master of the political organisations of the Left. In the same way that
the Bureaucrats dominated their offices, H.G. Wells believed that the
Open Conspiracy could impose order and discipline upon unstable
market economies. For the followers of all of these sages, the rise of
big business and big government during the mid-twentieth century
seemed like the fulfilment of their authoritarian prophecies of a new
ruling class which decided everything lording over a new working
class which decided nothing. At the high-point of Fordism, Cornelius
Castoriadis summarised the essence of this economic paradigm: ‘The
The Makers of the Future
025
19 For an analysis of this transition, see Carlo Vercellone, ‘Sens et Enjeux de la
Transition vers le Capitalisme Cognitif’.
20 See Adam Smith, The Wealth of Nations Volume 1, pages 7-25.
21 See Karl Marx, Capital Volume 1, pages 553-564.
increasing bureaucratisation of all social activities … [means] the
division of society into order-givers and order-takers.’22
The catalyst of the next evolutionary leap of capitalism was the
late-1960s New Left rebellion against this absolute separation between
conception and action. By proletarianising intellectual labour, Fordism
had created a dissident minority within the workforce who were no
longer willing to abdicate their right to think in return for the rewards
of consumer society.23 For the past forty years, the advocates of new
definitions of the new ruling class and the new working class have been
trying to describe the implications of this momentous shift in attitudes.
On the Right, thinkers have claimed that the decline of Fordism has
opened up the opportunity for everyone to become a member of the
elite. Around the same time that Schumpeter was elaborating his thesis,
Friedrich Hayek and Ludwig von Mises – the gurus of neo-liberalism
– were stressing that the most important activity of the Entrepreneurs
was ‘discovery’: making better use of scarce resources to improve the
choice, quality and affordability of products within the marketplace.24
Inspired by this analysis, conservative thinkers in the 1980s and 1990s
argued that the rigid divisions between employers and employees were
disappearing in the post-Fordist economy. From San Francisco to
London, the same nostrums were promulgated.25With a good idea and
a bit of luck, any worker could found a thriving dotcom business and
become a successful member of the Digerati. Whether they were
Symbolic Analysts or Free Agents, individuals were now responsible
for their own destinies in the unregulated global marketplace. Freed
from bureaucratic diktats, both the Bobos and the Digital Citizens were
able to express their own opinions and experiment with new ideas.
Above all, in the age of the Net, economic dynamism depended upon
lavishly rewarding the hi-tech Entrepreneurs. According to Gilder, the
lessons of history were clear: ‘Material progress is ineluctably elitist …
026
The Class of the New
22 Paul Cardan [Cornelius Castoriadis], Modern Capitalism and Revolution, page 3.
23 See Alain Lipietz, Towards a New Economic Order, pages 14-23; and Antonio
Negri, ‘Archaeology and Project’.
24 See Friedrich Hayek, Individualism and Economic Order, pages 33-56, 77-118;
and Ludwig von Mises, Human Action, pages 251-256, 327-350.
25 See Richard Barbrook and Andy Cameron, ‘The Californian Ideology’.
exalting the few extraordinary men who can produce wealth over the
democratic masses who consume it.’26
For all its post-Fordist rhetoric, this neo-liberal celebration of
the Entrepreneurs perpetuated the Fordist assumption that the new
ruling class monopolised the making of the future. In a tautological
argument, whenever workers demonstrated any autonomy, inventiveness or initiative, they were deemed to be behaving just like
members of the elite: the Symbolic Analysts, the Virtual Class, the
Multipreneurs, the New Independents, the Elancers, the Free Agents
and the Creative Class. This confusion about the social status of
these self-directed and self-motivated employees was partially a
form of ideological mystification which rebranded market disciplines and job insecurity as individual freedom and career opportunities. Yet, at the same time, these definitions of the new working
class were also genuine attempts to grasp the implications of the
waning of Fordism. In contrast to the rigid hierarchies of this midtwentieth century form of capitalism, the educational and cultural
dividing lines between employers and employees in the knowledge
economy have become much less distinct. The self-exploiting Digital
Artisans had the same tastes, obsessions and lifestyles as the Swarm
Capitalists who exploited them. As Ursula Huws pointed out, the
corporate bosses who were reliant upon the technological expertise
of the Cybertariat to operate their own computers couldn’t pretend
to be the fount of all wisdom. David Brooks was amused that the
rise of the Bobos – bourgeois bohemians – proved that the 1960s
New Left might have lost the economic argument, but the Hippies
had won the cultural war. When there was no longer an unbridgeable gulf between the order-givers and the order-takers, the same
definition of the new class could easily be used to describe both the
new ruling class and the new working class. Crucially, by covering
both opposing poles of the capitalist economy, these thinkers were
able to revive another potent form of this social prophecy: the class
of the new as the new intermediate class. As with its two other forms,
this third variant can also be tracked as the historical succession of
different definitions:
The Makers of the Future
027
26 George Gilder, Wealth and Poverty, page 273.
The New Intermediate Class
the Industrials ⇒ the Bohemians ⇒ the New Middle Class ⇒ the
Bureaucrats ⇒ the Labour Aristocracy ⇒ the Labour Bureaucracy ⇒
the Engineers ⇒ the Intellectuals ⇒ the New Middle Class ⇒ the
Organisation Man ⇒ the Specialists ⇒ the New Class ⇒ the
Educational and Scientific Estate ⇒the Produsumers ⇒the Scientific
Intellectual Labourers ⇒ the Knowledge Class ⇒ the Intermediate
Layers ⇒ the New Petty-Bourgeoisie ⇒ the Post-Modernists ⇒ the
Nomads ⇒ the Prosumers ⇒ the Hackers ⇒ the Symbolic Analysts
⇒the Virtual Class ⇒the Netizens ⇒the Multipreneurs ⇒the Digital
Artisans ⇒the Digital Citizen ⇒the New Independents ⇒the Elancers
⇒ the Multitude ⇒ the Bobos ⇒ the Free Agents ⇒ the Creative
Class ⇒ the Pro-Ams.
In the first phase of capitalist development, Henri Saint-Simon had pioneered this interpretation of the new class by including both employers
and employees within his definition of the Industrials. Whatever divided
them inside the factory, these two groups had a common interest in displacing the parasitic aristocracy and clergy which had dominated the
agrarian economy. But, within a generation, his socialist followers had
become convinced that Saint-Simon’s concept of an all-embracing class
of the new was an anachronism. In The Communist Manifesto, Karl Marx
and Friedrich Engels predicted that economic modernisation would not
only sweep away the old feudal order, but also deepen the social divisions within capitalism. As competition intensified, artisans would be
driven out of business, self-employed professionals would be forced to
work for wages and peasants would lose their land.27 Far from resisting
this path of progress, the primary task of the new class of the Labour
Movement was campaigning for reforms like the Factory Acts which –
by raising wages and improving conditions – accelerated the polarisation of society into the ever-diminishing minority who owned the hi-tech
factories and the ever-expanding majority who worked in them. At the
end of this evolutionary process, when almost the entire population had
been proletarianised, the working class would be reborn as the new directing force of modernity: the General Intellect.
028
The Class of the New
27 See Karl Marx and Friedrich Engels, The Communist Manifesto, pages 21-35.
During the late-nineteenth century and early-twentieth century,
this Marxist analysis provided a distinctive ideological identity for the
increasingly powerful parliamentary socialist parties and industrial trade
unions in Europe. Their day-to-day struggles for reforms within capitalism were inevitably leading to the revolutionary moment of communist
emancipation.28 As liberalism evolved into Fordism, social democrats
argued that Marx’s predictions were being realised as the number of
wage-earners grew and the corporatisation of the economy gathered pace.
Not surprisingly, their opponents across the political spectrum – including some who described themselves as Marxists – were anxious to provide
their own alternative explanations of the evolutionary direction of capitalism. Rejecting Marx’s thesis that modernity was the progressive polarisation of society into two distinct classes, these thinkers focused upon
the intermediate groups within the economy which couldn’t be classified as either part of the bourgeoisie or the proletariat. They were delighted to discover that – even in the mid-twentieth century economies dominated by big business and big government – a substantial proportion of
the population still made their living as artisans, self-employed professionals and peasants.29
More importantly, since these sectors were undergoing a long-term
decline, the critics of Marx were also able to identify a more modern
form of the intermediate class. Ironically, the proletarianisation of intellectual labour had created the conditions for the emergence of this group
positioned between the bourgeoisie and the proletariat. Unlike the Fordist
Workers on the assembly-line, this new intermediate class hadn’t surrendered all of its autonomy to the Scientific Managers and their machinery. Although these wage-earners might not have owned capital, members
of this privileged group did possess other potent sources of economic
power: educational qualifications and cultural knowledge. Across the
political spectrum, thinkers championed their different versions of the
new intermediate class. For moderates, the robustness of capitalism had
been proved. Instead of social polarisation, economic modernisation was
creating the living embodiment of consensus and compromise: C. Wright
The Makers of the Future
029
28 See Karl Kautsky, The Class Struggle.
29 See Ralf Dahrendorf, Class and Class Conflict in an Industrial Society, pages 136-
141; and Nicos Poulantzas, Classes in Contemporary Capitalism, pages 285-286, 328-331.
Mill’s New Middle Class, the Organisation Man, the Specialists and
J.K. Galbraith’s New Class. For revolutionaries, the growth of the new
intermediate class confirmed the political indispensability of the
Vanguard Party. Far from uniting the population into the General
Intellect, the evolution of capitalism was spawning privileged minorities which perpetuated the divisions within the exploited masses:
William Morris’New Middle Class, the Labour Aristocracy, the Labour
Bureaucracy, the Intellectuals, the Educational and Scientific Estate,
the Scientific Intellectual Labourers, the Intermediate Layers and the
New Petty-Bourgeoisie. Whatever their political motivations, all of
these intellectuals were convinced that the only variant of the new class
which explained the unique social structure of industrial capitalism
was the new intermediate class.
As Fordism evolved into post-Fordism, this strand of the social
prophecy also had to abandon its bureaucratic archetype. Looking for
a replacement, intellectuals turned to the canonical texts of McLuhanism.
If the convergence of media, telecommunications and computing was
the demiurge of social change, then the builders of the Net must be the
cutting-edge of modernity. In the knowledge economy, all definitions
of the new intermediate class have to be an updated version of the
Knowledge Class. During the 1990s, the third variant of the social
prophecy flourished among the analysts of the rapid and chaotic expansion of the dotcom sector. In the new paradigm of the new economy,
the educated and entrepreneurial employees of the new media companies were praised as pioneers of a new version of the new intermediate class. Looking at their working patterns and cultural attitudes, they
couldn’t be easily identified as either strictly bourgeois or proletarian.
The New Independents and the Free Agents moved from short-term
contract jobs to running up their own companies and back again. The
Netizens and the Bobos dressed in the same clothes, drank in the same
bars, listened to the same music and shared a common obsession with
cutting-edge technology. Above all, both the Digital Artisans and the
Digital Citizens believed that the measure of success wasn’t just making
lots of money, but also creating something cool.
Since the early-1990s, the various definitions of new intermediate class have reflected the social fluidity and cultural distinctiveness
of the employees of cognitive capitalism. Some neologisms can also
be used as a description of the new ruling class: the Digital Citizen and
030
The Class of the New
the Bobos. Other definitions can also be applied to new working class:
the Netizens, the Multipreneurs, the Digital Artisans, the New
Independents, the Elancers, the Multitude, the Free Agents and the
Pro-Ams. Most potent of all are those concepts which cover all three
historic strands of the social prophecy: the Symbolic Analysts, the
Virtual Class and the Creative Class. Avoiding the economic conflicts of the present, the promoters of these definitions emphasise the
divide between those who cling to the past and those who are building
the future. The Digital Citizens have more in common with the Digital
Artisans than either of them do with their late-adopter class brethren
who are off-line and out of touch. By excluding the providers of traditional – and essential – goods and services who make up the majority
of the population, the differences between employers and employees within the hi-tech sectors can be made to disappear. Everyone
within the creative industries is part of the futurist elite. Making new
things in new ways with new technologies is the only prerequisite
for membership of the class of the new.
Under Fordism, prominent theorists had defined this intermediate group by very different criteria. In the early-1970s, Nicos Poulantzas
had characterised the New Petty-Bourgeoisie as the employees of the
managerial hierarchy. Even office secretaries and bank clerks weren’t
worthy of inclusion within the heroic ranks of the exploited proletariat.30 Although an extreme case, Poulantzas’ suspicion of white-collar
workers was shared by many on the Left. As the manual labourers
below them knew all too well, these salaried bureaucrats were ordergivers as well as order-takers. Just as importantly, as Poulantzas kept
reminding his readers, many members of the New Petty-Bourgeoisie
aped the conservative politics and mores of their superiors. Twenty
years earlier, William Whyte had berated the Organisation Man not
only for his ‘cheerful acceptance of the status quo’, but also for his
‘disinterest in the arts.’31 The path to a successful career within the
Educational and Scientific Estate was internalising the routines and
procedures of the corporate monolith. In its Fordist form, the educated
conformist was epitome of the new intermediate class.
The Makers of the Future
031
30 See Nicos Poulantzas, Classes in Contemporary Capitalism, pages 211-212, 268-269.
31 William Whyte, The Organisation Man, page 183.
According to the 1990s gurus of the information economy, the
attitudes of the Organisation Man were exactly what were not required.
Controlling the workplace with a top-down bureaucracy was not only
too expensive, but also, more importantly, too inflexible. Employees
were now expected to manage themselves and set their own priorities. Released from the disciplines of Fordism, the Symbolic Analysts
organised their own exploitation, the Multipreneurs ran their work
lives as small businesses and the Free Agents were their own bosses.
Above all, the members of the Creative Class had to be creative. Instead
of repeating routines and following procedures, intellectuals, artists
and techies were supposed to move beyond the curve and think outside
of the box. Innovation not conformity was now the path to promotion. Aestheticism not philistinism had become the leitmotif of the
new intermediate class. On her company’s website, Helen Wilkinson
praised the virtues of these pioneers of the dotcom future: ‘[the]
Elancers are change agents, challenging traditional ways of working
with their unique energy and spirit.’32
In his canonical text, Florida divided the class of the new into two
distinct groups: the new ruling class and the new intermediate class. At
the top of the social hierarchy were the visionaries of the Super-Creative
Core who are responsible for ‘the highest order of creative work’: developing hardware, building software, making films, writing books, designing buildings and composing music. But, as Florida admitted, these
innovators were only a small minority of the class of the new. Instead,
the overwhelming majority of this group consisted of creative professionals ‘… who work in a wide range of knowledge-intensive industries such as high-tech sectors, financial services, the legal and healthcare professions, and business management.’33 According to Florida,
the continual expansion of the information economy was recruiting
more and more people into the ranks of this intermediate layer. Because
the boundaries of his new class were drawn so widely, he was convinced
that - in the early-2000s - its members already made up as much as a
third of the American workforce. Above all, Florida believed that the
Super-Creative Core and the creative professionals were together pro032
The Class of the New
32 Elancentric, ‘Project Description’.
33 Richard Florida, The Rise of the Creative Class, page 69.
ducing half of the nation’s wealth.34The descendents of the Bohemians
had become the producers of economic abundance.
In the 2002 GLA report, the Mayor’s statisticians were equally
enthusiastic about the importance of London’s Creative Class. According
to the official figures for the late-1990s, the media, cultural and computing sectors had grown much faster than the rest of the local economy.
After the sellers of business services, the creative industries had been the
largest source of new jobs for Londoners in this period. By 2000, around
10% of the city’s inhabitants were earning their living as artists, designers, programmers, technicians, writers, musicians, architects, actors,
directors, copywriters and tailors – or by providing support for these professions.35 Extrapolating from this evidence, the GLA report concluded that the expansion of the Creative Class would accelerate over the
next few decades. Like Florida, its authors believed that they had identified the all important group which was prefiguring the future of the
whole of society. In the post-Fordist economy, people increasingly expect
goods and services that are tailored to their own needs and tastes. Whatever
their line of business, if they wanted to meet this demand by making
short-runs of specialised products, companies would have to imitate the
flattened hierarchies and cooperative ethos of media, cultural and computing firms. Above all, they would also have to employ highly educated
and self-motivated workers. In the epoch of cognitive capitalism, the
Creative Class was the trailblazer for the entire city’s economy.36
At the beginning of the GLAreport, its authors reluctantly admitted
that ‘… using official statistics is problematic.’37 Crucially, the British
government’s employment surveys lumped together people with very
different jobs under the same category because they happened to be
working in the same industry. When they were on the payroll of a film
company, security guards were transformed into members of the Creative
Class. Yet, far from compensating for this inaccuracy, the authors of the
GLA report engaged in their own inflation of the employment figures.
When they were selling artworks and antiques, old-fashioned shopkeepThe Makers of the Future
033
34 See Richard Florida, The Rise of the Creative Class, page xiv.
3 5 See GLA Economics, Creativity, pages 4-11, 55-56.
3 6 See GLA Economics, Creativity, page 6.
3 7 GLA Economics, Creativity, page 3.
ers were counted as part of the new class. This statistical massaging found
its theoretical justification in Florida’s book. Under his schema, the definition of the Creative Class covered almost all of the professions which
didn’t involve heavy manual labour or menial services. The new elite
was open to everyone with taste, learning and imagination.
By exaggerating the size of the Creative Class, the Mayor’s
statisticians had tried to counter the sceptics who doubted that capitalism was undergoing another evolutionary mutation. Not surprisingly, in the aftermath of the dotcom bubble, the credibility of
the McLuhanist prophecies of the digital utopia had been badly
dented. If, even at the boom’s peak, there had been more lorry
drivers than computer programmers employed in the American
economy, the rise of the Creative Class might be nothing more than
another piece of Net hype.38 Ironically, like the GLA report, this
dissenting analysis was also fixated on the numbers game. The size
of the Virtual Class was the measure of its economic importance.
Depending upon how the figures were calculated, both boosters
and critics could produce statistics which confirmed their own
political positions.
In his introduction to the GLA report, Ken Livingstone
welcomed the ascendancy of the Knowledge Workers as the harbinger of the next stage of modernity. However sophisticated, quantitative measures could never grasp the qualitative potential of this social
group. Back in the mid-nineteenth century, the factory proletariat had
also been only a minority of the English working class. The overwhelming majority of wage-earners were employed as unskilled
labourers, shop assistants and household servants.39 Yet, within a
hundred years, the whole of society had been remodelled in the image
of the Fordist factory. Market competition had systematically redistributed wealth from the labour-intensive to the capital-intensive
branches of the economy.
40 Small businesses had fused into massive
corporations. Politics had been rationalised. Everyday life had been
034
The Class of the New
38 See Doug Henwood, After the New Economy, pages 71-78, 184-185; and
Aufheben, ‘Keep on Smiling’.
39 See Raphael Samuel, ‘The Workshop of the World’.
40 See Karl Marx, Capital Volume 3, pages 241-313.
taken over by consumer culture.41 In their definitions of the new
class, thinkers of both the Right and the Left had anticipated this evolutionary path of capitalism. The Philosophers invented the machinery which was transforming the economy. The Labour Movement
was forcing companies to adopt more sophisticated methods of production. The Bureaucrats and the Scientific Managers were building
the political and economic hierarchies which would supplant liberalism. The Vanguard Party and the Samurai were precursors of the
conspiratorial elite which would control these centralised power structures. Long before the triumph of Fordism, the theorists of the new
class had described in detail the peculiarities of this particular stage
of capitalist civilisation. The shape of the future could be discerned
by analysing the makers of the future.
In the 1950s and 1960s, the high point of the bureaucratisation of
society inspired a plethora of definitions: the Power Elite, the
Organisation Man, Djilas’New Class, the Specialists, Galbraith’s New
Class, the Industrial Managers, the Order-Givers and the Technocrats.
Yet, in the 1940s, Schumpeter’s concept of the Entrepreneurs had already
foreseen the transcendence of Fordism. By the time that this economic
prophecy was fulfilled, thinkers from across the political spectrum had
abandoned the bureaucratic archetype of the new class. Instead, their
definitions emphasised the autonomy and independence of the youthful
makers of the post-Fordist future. On the Right, the gurus of neo-liberal
globalisation celebrated the ascendancy of the Gilder-style Entrepreneurs,
the Venture Capitalists and the Symbolic Analysts. On the Left, the
sages of community activism eulogised the emergence of the Hippies,
the Produsumers, the Socialised Workers, the Nomads and the PostIndustrial Proletarians. Despite their deep political differences, all of
these theorists were in agreement that capitalism was undergoing a fundamental transformation. Defining the new class was the most effective method of describing the emerging economic paradigm.
During the late-1990s dotcom boom, this post-Fordist vision of
entrepreneurial employers and self-managing employees was promoted
The Makers of the Future
035
41 See Michel Aglietta, A Theory of Capitalist Regulation, pages 151-272; Alain
Lipietz, Towards a New Economic Order, pages 1-13; and Henri Lefebvre, Everyday
Life in the Modern World, pages 68-109.
as the up-to-date business strategy of the information age. But, as Ken
Livingstone pointed out in his introduction to the GLAreport, management consultants have determinedly resisted this path of economic development for over two decades. McKinsey’s experts argued that – instead
of undermining corporate hierarchies – the convergence of the media,
telecommunications and computing technologies was strengthening the
power of the order-givers over the order-takers.42When production was
outsourced to small businesses, the Post-Industrial Proletarians weren’t
liberated from the disciplines of the factory. On the contrary, thanks to
the ‘information Panopticon’, the Scientific Managers were now able
to monitor, audit and control the Knowledge Workers in much greater
detail than the Fordist Workers had been subjected to in the past.43Best
of all, by blocking the emergence of the self-directing Cognitariat, the
McKinsey consultants could force the majority of the hi-tech labour
force into the ranks of the exploited Precariat. The authoritarian definitions of the new class from the Fordist stage of capitalism had been
updated and successfully imposed upon its post-Fordist iteration. Big
was still beautiful in the age of the Net. But, when the dotcom bubble
burst, the credibility of this analysis was undermined. One of the crash’s
most prominent casualties was the McKinsey consultancy’s star pupil:
Enron. Instead of building the hi-tech future, the tightening of top-down
management had led to a litany of corporate failures: out-of-control
executives, irrational investments, dodgy accounting and, finally, catastrophic bankruptcy.
44 Within the network economy, making new
things with new technologies apparently implied new ways of working.
In contrast with the McKinsey experts, the neo-liberal proponents
of the Digerati, the Digital Citizen, the Swarm Capitalists and the Bobos
did realise that the hierarchies of Fordism weren’t eternal. The centralisation of corporate and financial power at a global level – paradoxically – required the loosening of managerial controls within the most
advanced sectors of production. Although confused by its technologi036
The Class of the New
42 For the McKinsey credo, see Tom Peters and Robert Waterman, In Search of
Excellence.
43 See Shoshana Zuboff, In the Age of the Smart Machine, pages 315-361.
44 For an account of the rise and fall of Enron, see Bethany McLean and Peter
Elkind, The Smartest Guys in the Room.
The Makers of the Future
037
cal determinist assumptions, the McLuhanist prophecy had alerted the
dotcom gurus to the economic consequences of the convergence of the
media, telecommunications and computing. For the thinkers of the Right,
their definitions of the new class explained how cutting-edge businesses were able to profit from this transformation. Similarly, for their rivals
on the Left, concepts such as the Cyborgs, the Digital Artisans, the
Immaterial Labourers, the Multitude, the Cognitariat, the Cybertariat
and the Precariat described both the upsides and downsides of the
knowledge economy for its workers. Whatever their political startingpoint, these contemporary theorists of the new class have tried to anticipate the future of all of society by identifying its most developed
sections in the present. They are convinced that – like the factory in
earlier times – the network is more than just an economic phenomenon. All aspects of society are in the process of being restructured in
its image.45 More than any other group, the new class is at the forefront of the transition to cognitive capitalism. What they are doing
today, everyone else will be doing tomorrow.
Over the past two centuries, successive definitions of the new
class have provided inspiration for policy-makers. Since their predecessors had successfully predicted the advent of Fordism, the modern
proponents of this social prophecy have an aura of credibility when they
describe the advent of the knowledge economy. Following their path
towards the future must be the route to success. Not surprisingly, the
London Development Agency (LDA) – the GLA’s economic arm – has
prioritised its strategy for supporting the creative industries. As in other
branches of production, the local state can help employers and employees in this sector by providing business advice, cheap premises, financial aid and educational opportunities.46 In addition, the LDAset up an
initiative to meet the specific needs of the knowledge economy: Creative
London. Above all, its officials have had to develop policies which are
suitable for the new conditions of cognitive capitalism. Back in the
Fordist epoch, big business and big government were the two dominant
methods of organising collective labour. But, as the contemporary definitions of the new class emphasise, these top-down structures are inca45 See Benjamin Coriat, L’Atelier et le Robot, pages 25-31.
46 See Creative London, Believe.
pable of realising the full potential of the network economy. Responding
to this new paradigm, the LDA has decided to foster the development
of ‘clusters’of creative firms. By congregating in particular areas of the
city, the Swarm Capitalists are able to cooperate as well as compete
with each other. By hanging out in these urban villages, the Cybertariat
can help each other to find new jobs, learn new skills and discover new
ideas.47 Alongside the traditional duo of the market and the factory,
the network has become the third – and most modern – method for
organising collective labour.
As the LDA has realised, London has all the necessary ingredients for construction of thriving creative clusters. From medieval times
onwards, particular trades have been associated with specific areas of
the city. As the capital of the dominant imperial power of early modernity, London is home to the most ethnically diverse population on the
planet. Since the 1950s, its youth subcultures have been renowned across
the world. In the LDA’s strategy, the creative cluster is the meeting place
for these three sources of innovation. Brought together in a specific
locality, the multi-ethnic and culturally sophisticated inhabitants of
London are able to discover how to combine their individual talents for
their mutual benefit. Like silk-weavers and cabinet-makers in the earlynineteenth century, the Digerati and the Digital Artisans of the 1990s
were concentrated in Shoreditch. Speaking 300 different languages, the
city’s New Independents and Free Agents are its ‘greatest competitive
asset’in the global media marketplace.48 Just like their youthful mod,
punk and raver predecessors, the grown-up members of the Netocracy
and the Cognitariat can be identified by their distinctive fashions and
tastes in music. By fostering creative clusters, Ken Livingstone’s administration – as the elected representative of the Labour Movement – is
fulfilling its historical mission: accelerating the evolution of capitalism.
The origins of this economic development strategy can be traced
back to the early-1980s. Two decades ago, Livingstone first became a
national figure as the charismatic leader of the forerunner of the GLA:
the Greater London Council (GLC). For five years, his administration’s
reforming programme was demonised in the media and frustrated by the
038
The Class of the New
47 See GLA Economics, Creativity, pages 31-50; and Creative London, Believe.
4 8 GLA Economics, Creativity, page 33.
Thatcher government. When the GLC was eventually abolished in 1986,
this progressive experiment appeared to have failed. But, by the time that
Livingstone was elected Mayor of London in 2000, almost all of its radical
ideas had become common sense: improving public transport; celebrating ethnic diversity; defending gay rights; making peace in Ireland and
tackling police racism. However, these retrospective victories couldn’t
compensate for the GLC’s economic defeat. During the first half of the
1980s, Livingstone’s administration had tried - and failed - to halt the deindustrialisation of the local economy. Under the Thatcher government,
finance and property were confirmed as the masters of London.49 Twenty
years ago, the GLC was a pioneer of economic policies which were specifically focused upon the creative industries. As well as encouraging cultural
pluralism, these initiatives were also designed to increase employment
opportunities and foster technological innovation. Although it was an
important part of their overall strategy, the GLC’s planners never believed
that aiding this sector was a replacement for helping more traditional
industries.50 Two decades later, a different approach was needed. By the
2000s, the process of de-industrialisation in London had advanced much
further. While other European counties are still major manufacturers,
Britain has long forgotten that it was once the ‘workshop of the world’.
London’s prosperity now depends upon its role as a global financial centre.
Like their GLC predecessors, the LDA’s planners are also committed to reversing the decline of manufacturing. Even after two decades
of neo-liberalism, this traditional sector is still an important provider of
jobs. But, with financial institutions now dominating the local economy,
providing support for the creative industries has become a higher priority.
Both directly and indirectly, these businesses have benefited from the
neo-liberal restructuring of London over the past twenty years. As the
profits have flowed in from abroad, the financial sector has redistributed
some of its wealth to the owners of advertising agencies, art galleries,
entertainment venues and a host of other cultural enterprises. By ‘pumppriming’ these ventures, the ‘trickle-down’ of this money has underpinned two decades of growth in London’s creative industries.
The Makers of the Future
039
49 For the story of the GLC, see Ken Livingstone, If Voting Changed Anything,
They’d Abolish It; and Maureen Mackintosh and Hilary Wainwright, A Taste of Power.
50 See GLC, The London Industrial Strategy; The State of the Art or the Art of the State?
According to Florida, this phenomenon has wider economic
benefits. From his research, he has concluded that cities like London
with a thriving music scene and a large gay population are now the prime
locations for hi-tech businesses. Even if they never go clubbing or are
completely straight, members of the Creative Class want to live in hip
and tolerant communities. Where the Digital Artisans congregate, the
Swarm Capitalists who want to employ them must follow.51 For the
enlightened planners of the LDA, Florida’s analysis gives political succour.
Fostering creative clusters will not only create more jobs within this
specific sector, but also could potentially reverse the decline of manufacturing in London. The prime location for software firms will attract
hardware companies as well. When Silicon Valley was the icon of computerised modernity, its combination of lucrative military contracts and
enthusiastic venture capitalists was almost impossible to replicate in a
European setting. But, with Florida now anointing Austin as the prototype of the future, London has in abundance his prerequisites for becoming
a flourishing digital city: bohemian ambience and cultural tolerance. All
the LDA has to do is build upon what is already there.
Underneath its feel-good rhetoric, Florida’s book also contains
a more troubling message for the Mayor’s planners: creative clusters
are fragile structures. From the American experience, this theorist has
concluded that gentrification doesn’t just have negative consequences
for the original inhabitants of inner-city areas.52 If unchecked, this phenomenon will also seriously damage the local economy. Property speculators destroy the street life and community feeling which attract hitech firms to these locations in the first place. Rather than helping
businesses, building shopping malls, yuppie flats and sports stadiums
lowers a city’s growth rate.53 In London, the redevelopment of the East
040