diff --git a/src/ferruccio-busoni/drei-albumblatter-BV289/parts/drei-albumblatter-BV289-1-erstes-blatt.ly b/src/ferruccio-busoni/drei-albumblatter-BV289/parts/drei-albumblatter-BV289-1-erstes-blatt.ly index 41e2699..7c8d7c9 100644 --- a/src/ferruccio-busoni/drei-albumblatter-BV289/parts/drei-albumblatter-BV289-1-erstes-blatt.ly +++ b/src/ferruccio-busoni/drei-albumblatter-BV289/parts/drei-albumblatter-BV289-1-erstes-blatt.ly @@ -9,6 +9,8 @@ Soprano = \context Voice = "one" \relative c'' { \stemNeutral\tieNeutral\slurNeutral \override MultiMeasureRest.staff-position = #0 \override Rest.staff-position = #0 + \omit TupletBracket \omit TupletNumber + \set minimumBeamSubdivisionInterval = \musicLength 8 %1 | \tempo "Andantino sostenuto." b2\( c16 b8.\) a16( g8.) @@ -38,27 +40,91 @@ Soprano = \context Voice = "one" \relative c'' { | r8 r | r r | d'4\rest d8\rest ^.\( r ^. r ^.\) - | R1*15 + | r e^\p_\( e e e\) + %20 + | \stemNeutral ( ) ([ )] ( ) ([ )] + | ( g!16) \stemUp a16\rest e8. dis16 cis8. b16 a8. gis32 fis + | \stemNeutral + e4 \tuplet 3/2 { + b'16\rest^\markup { "delicato" } e^.( \set stemRightBeamCount = #1 fis^. + } + \tuplet 3/2 { + \set stemLeftBeamCount = #1 gis^. a^. b^.) + } + ais4~ + \tuplet 3/2 { + ais16 fis^.( \set stemRightBeamCount = #1 gis^. + } + \tuplet 3/2 { + \set stemLeftBeamCount = #1 ais^. b^. cis^.) + } + | %\set minimumBeamSubdivisionInterval = \musicLength 8 + \set maximumBeamSubdivisionInterval = \musicLength 16 + \set subdivideBeams = ##t + bis16.^-_\markup { "poco aumentando" } + \set stemLeftBeamCount = #3 \set stemRightBeamCount = #2 + gis32( ais b cis dis) d16.^- + \set stemLeftBeamCount = #3 \set stemRightBeamCount = #2 + bes32( c d ees f) + e16.^- + \set stemLeftBeamCount = #3 \set stemRightBeamCount = #2 + c32( d e f g) 8_\markup { "rit." } + \set subdivideBeams = ##f + \tuplet 3/2 { cis16^-[\< eis^- gis^-]\! } + | gis8.(_\markup { "dolce" } g16) e8.^.( dis16^.) cis8.^.( b16^.) \stemUp a8.( gis32 fis) + %25 + | \stemDown + 8( ) ^.([ ^.)] ^.( ^.) ( 16) r + | \stemNeutral + \tuplet 6/4 { + r16^\markup { "sotto voce" } e\( \set stemRightBeamCount = #1 g \set stemLeftBeamCount = #1 b g e + } + \tuplet 6/4 { b dis \set stemRightBeamCount = #1 g \set stemLeftBeamCount = #1 b g dis } + \tuplet 6/4 { b d \set stemRightBeamCount = #1 g \set stemLeftBeamCount = #1 b g d } + \tuplet 6/4 { b f' \set stemRightBeamCount = #1 gis \set stemLeftBeamCount = #1 b gis f\) } + | \tuplet 6/4 { cis^2\( e^1 \set stemRightBeamCount = #1 cis' \set stemLeftBeamCount = #1 e cis e, } + \tuplet 6/4 { c e \set stemRightBeamCount = #1 c' \set stemLeftBeamCount = #1 e c e,\) } + \tuplet 6/4 { cis\( e \set stemRightBeamCount = #1 cis' \set stemLeftBeamCount = #1 e cis e, } + \tuplet 6/4 { c e \set stemRightBeamCount = #1 c' \set stemLeftBeamCount = #1 e c e,\) } + | \tuplet 6/4 { r e\( a e' a, e } \tuplet 6/4 { r a e' a e a, } + \tuplet 6/4 { r c a' c a c, } \tuplet 6/4 { r c g' c g c,\) } + | \tuplet 6/4 { r e\( b' e b e, } \tuplet 6/4 { r e gis e' gis, e } + \tuplet 6/4 { r f a e' a, f } \tuplet 6/4 { r d a' e' a, f\) } + %30 + | \tuplet 6/4 { r e,\( b' e b e, } \tuplet 6/4 { r e g e' g, e } + \tuplet 6/4 { r fis! a e' a, fis } \tuplet 6/4 { r d a' e' a, fis\) } + | \tuplet 6/4 { r g,\( e' g e g, } \tuplet 6/4 { r g e' g e g,\) } + \clef bass + \tuplet 6/4 { r e\( g e' g, e } \tuplet 6/4 { r e g e' g, e\) } + | \tuplet 6/4 { r b\( e b' e, b } \tuplet 6/4 { r b e b' e, b } + \tuplet 6/4 { r b e b' e, b } \tuplet 6/4 { r^\markup { "rit." } b^. e^. b'^. e,^. b^.\) } + | r1\fermata \fine } Alto = \context Voice = "two" \relative c' { \voiceTwo \stemDown\tieDown - %\override Rest.staff-position = #0 %1 - | s1*7 - | r8 c_. f_. c_. cis_. a_. c4~ + | s1*2 + | \change Staff = "lower" \voiceThree + e,8 s s2. + | \change Staff = "upper" \voiceTwo + s1*4 + | r8 c'_. f_. c_. cis_. a_. c4~ | c8 _.[( _.]) g\rest g\rest _.( ) g\rest %10 | r8 _.[( _.)] g8\rest e4\rest dis'~ | dis8 r 4 \arpeggio - + | s1*12 + %24 + | s2. s8 } Tenor = \context Voice = "three" \relative c { \voiceThree \stemUp\tieUp + \omit TupletBracket \omit TupletNumber %1 | r8 _.\p _. _. _.[ _.] _.[ _.] | r4 r8 -. @@ -66,7 +132,7 @@ Tenor = \context Voice = "three" \relative c { \change Staff = "lower" \voiceThree ^.] \change Staff = "upper" \voiceTwo _.[ \change Staff = "lower" \voiceThree ^.] - | \change Staff = "upper" \voiceTwo _.[ + | \change Staff = "upper" \voiceTwo c'_.[ \change Staff = "lower" \voiceThree ^.] _. _. _.[ _.] _. _. | \change Staff = "upper" \voiceTwo @@ -74,7 +140,7 @@ Tenor = \context Voice = "three" \relative c { %5 | \change Staff = "lower" \voiceThree \override Beam.positions = #'(6 . 5) - a8\rest _. _. + b8\rest _. _. \change Staff = "upper" \voiceTwo \override Beam.positions = #'(-5 . -5) _. _. @@ -105,22 +171,45 @@ Tenor = \context Voice = "three" \relative c { \change Staff = "upper" \voiceTwo fis f e %15 - | eis8. + | ees8. \change Staff = "lower" \voiceThree c16 g8. a16 b8.\arpeggio c16 des4^-( | c8.) a16 e8. fis16 gis8.\arpeggio a16 bes4^-( - | a8.) fis!16 cis8. dis16 eis8. fis16 g4^-~ + | a8.) fis!16 cis8. dis16 eis8.\arpeggio fis16 g4^-~ | \autoBeamOff g8 \change Staff = "upper" \voiceTwo b_.( \autoBeamOn e8. dis16) cis8. \change Staff = "lower" \voiceThree b16 a8.( gis32 fis) + | \stemNeutral + e4~ e16 e^.( gis^. b^.) ais4~ ais16 fis^.( ais^. cis^.) + %20 + | \clef treble + bis8. dis16 d8. f16 e8. g!16 eis8. gis16 + | g8. + \change Staff = "upper" \voiceTwo + b16 r8 r r + | \change Staff = "lower" \voiceThree + s1*2 + | s2. s8 b^.( + %25 + | b4^.) e8. d!16 c!8. b16 a8. g!32 fis + | e4~\( e8. d32 e f16 e8.\) d16( c8.) + | b'8. gis16 a4~\( \tuplet 3/2 { a8.*4/3 b32*4/3 a32*4/3 gis32*4/3 } a8.\) b16 + | \slurDown c8.( b32 a c8.) d16( e8. d32 c e8.) fis!16 + | gis8. a16^- b4^- b,2 + %30 + | g!8. a16^- b4^- b,2 + | \slurUp b4(^\markup { "dimin. sempre" } e) g,( b) + | e,( gis) e( gis) + } Bass = \context Voice = "four" \relative c { \voiceFour \stemDown\tieDown \override MultiMeasureRest.staff-position = #-6 + \omit TupletBracket \omit TupletNumber %1 | R1 | r8 a16 b c b8. a16 g8.~ g4~ @@ -141,12 +230,53 @@ Bass = \context Voice = "four" \relative c { %15 | c2 g4.(\arpeggio gis8) | a2 e4.(\arpeggio eis8) - | fis2 cis4..\( dis16 + | fis2 cis4..\(\arpeggio dis16 | e!4_.\) r8 b'_.\( r a_. r b_.\) - | R1*15 + | s1*2 + %21 + | s4 \clef bass \slurNeutral + b( a b) + | e8 \clef treble \stemNeutral + _.[( _. q_.]) _.([ q_.)] _.( q_.) + | ( ) ([ )] ( ) [( )] + | 4^\markup { \normal-text \bold "a tempo" } + b8\rest \arpeggio b'\rest b'\rest + \clef bass \stemUp + s^\markup { \hspace #-4 "espr." } + %25 + | \stemDown\tieDown b,,4\rest g'! a b, + | e,\rest e_. e2\rest + | e'4~\( e8~ \tuplet 3/2 { e16 g f } e2\) + | \clef treble + s1 + | b'4\rest b8.\rest \clef bass b,32\p\( c d8. e16 f8. d16\) + %30 + | e4 g,8.\rest b,32\p\( c d8. e16 fis!8. d16\) + | b2 c + | gis_\markup { \hspace #-0.5 \musicglyph #"pedal.Ped" \raise #0.1 "tenuto" } gis + | 1\fermata \fine } +forceBreaks = { + % page 1 + \repeat unfold 1 { s1\noBreak } s1\break\noPageBreak + \repeat unfold 2 { s1\noBreak } s1\break\noPageBreak + \repeat unfold 2 { s1\noBreak } s1\break\noPageBreak + \repeat unfold 2 { s1\noBreak } s1\pageBreak + % page 2 + \repeat unfold 2 { s1\noBreak } s1\break\noPageBreak + \repeat unfold 2 { s1\noBreak } s1\break\noPageBreak + \repeat unfold 2 { s1\noBreak } s1\break\noPageBreak + \repeat unfold 1 { s1\noBreak } s1\break\noPageBreak + s1\pageBreak + % page 2 + \repeat unfold 1 { s1\noBreak } s1\break\noPageBreak + \repeat unfold 1 { s1\noBreak } s1\break\noPageBreak + \repeat unfold 1 { s1\noBreak } s1\break\noPageBreak + \repeat unfold 1 { s1\noBreak } s1\break\noPageBreak +} + \score { \new PianoStaff \with { connectArpeggios = ##t } << @@ -165,9 +295,10 @@ Bass = \context Voice = "four" \relative c { \Tenor \Bass >> + \new Devnull \forceBreaks >> \header { - composer = "Ferruccio Busoni - Zürich, 1917" + composer = "Ferruccio Busoni ‒ Zürich, 1917" opus = ##f % "BV 289" title = \markup { "Erstes Blatt" } subsubtitle = "An Herrn Albert Biolley"