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J.S. Bach: Suite Anglaise 2 BWV807: Add Sarabande with agréments
Signed-off-by: Davide Madrisan <d.madrisan@proton.me>
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‎CHANGELOG.md

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@@ -8,6 +8,7 @@ The format is based on [Keep a Changelog](https://keepachangelog.com/en/1.0.0/).
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### Added
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- Jan Pieterszoon Sweelinck: Fantasia Cromatica SwWV 258
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- J.S. Bach: Suite Anglaise 2 BWV807: Add Sarabande with agréments
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## [v59] - 2024-12-08
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‎src/johann-sebastian-bach/suites-anglaises/BWV807/JS-Bach-BWV807-Suite-Anglaise-2.ly

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\include "./parts/bach-suite-anglaise-2-2-allemande.ly"
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\pageBreak
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\include "./parts/bach-suite-anglaise-2-3-courante.ly"
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%\pageBreak
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\include "./parts/bach-suite-anglaise-2-4-sarabande.ly"
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%\pageBreak
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\pageBreak
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\include "./parts/bach-suite-anglaise-2-4-sarabande-1.ly"
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\pageBreak
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\include "./parts/bach-suite-anglaise-2-4-sarabande-2.ly"
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\pageBreak
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\include "./parts/bach-suite-anglaise-2-5-bourree-1.ly"
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\pageBreak
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\include "./parts/bach-suite-anglaise-2-5-bourree-2.ly"

‎src/johann-sebastian-bach/suites-anglaises/BWV807/Makefile.am

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@@ -27,7 +27,8 @@ EXTRA_DIST = JS-Bach-BWV807-Suite-Anglaise-2.ly \
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parts/bach-suite-anglaise-2-1-prelude.ly \
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parts/bach-suite-anglaise-2-2-allemande.ly \
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parts/bach-suite-anglaise-2-3-courante.ly \
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parts/bach-suite-anglaise-2-4-sarabande.ly \
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parts/bach-suite-anglaise-2-4-sarabande-1.ly \
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parts/bach-suite-anglaise-2-4-sarabande-2.ly \
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parts/bach-suite-anglaise-2-5-bourree-1.ly \
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parts/bach-suite-anglaise-2-5-bourree-2.ly \
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parts/bach-suite-anglaise-2-6-gigue.ly

‎src/johann-sebastian-bach/suites-anglaises/BWV807/parts/bach-suite-anglaise-2-4-sarabande.ly ‎src/johann-sebastian-bach/suites-anglaises/BWV807/parts/bach-suite-anglaise-2-4-sarabande-1.ly

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@@ -25,6 +25,7 @@ Soprano = \context Voice = "one" \relative c'' {
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| a g a a' ees\prall d
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| \stemUp b'[\turn c] f,![ e! d c]
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| c4 c2
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\break
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}
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\repeat volta 2 {
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| g4 g8 f e d

‎src/johann-sebastian-bach/suites-anglaises/BWV807/parts/bach-suite-anglaise-2-4-sarabande-2.ly

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Global = {
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\key a \minor
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\time 3/4
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\include "../global.ly"
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}
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Soprano = \context Voice = "one" \relative c'' {
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\voiceOne
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\stemUp\tieUp
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\override MultiMeasureRest.staff-position = #0
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\override Rest.staff-position = #0
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\repeat volta 2 {
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%1
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| c4 c8 b a gis\prall
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| a16( gis b a) a2
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| <c e>4\arpeggio e8[ d] c16 d b8
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| b4( c8.\mordent) b16 a4
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%5
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| \stemNeutral c8 bes16 a g f8 g32 e f16 a b d32 c
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| d8 c16 b a g f g32 e f16. g32 a b c d
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| \stemUp e8 d d32[( e f16) e8] d16( f32 e d16 e32 c)
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| c16( g'8.) g2
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| \stemNeutral bes,16( a bes) g' e c( bes a) bes( a bes) g'
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%10
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| a,( g a) c d( e f g) a ees( d c)
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| \stemUp b'!16[ c32 b a b c16] f,!8[(e!) d\prall c]
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| c4 c2
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% \break
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}
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\repeat volta 2 {
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| g4 g8( f e d)
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| d8.( e32 f) e2
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%15
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| \stemNeutral\slurNeutral dis16( fis a c) b( fis g dis) e( g ais cis)
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| \stemUp\slurUp e( dis fis e) fis( e dis cis) b4
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| \stemNeutral\slurNeutral g'16( fis e d!) c!( b ais b) ais( cis e g)
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| fis( e dis cis) b( a gis a) gis( b d! f!)
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| e( a b c) b( a c b) \stemUp\slurUp a( g a fis)
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%20
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| fis8 g \once\slurDown\appoggiatura fis16 e2
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| g8.( a32 bes) \once\slurDown\appoggiatura a16 g2
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| g16 e g f \once\slurUp\appoggiatura f8 g2
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| f8. g32 a \once\slurDown\appoggiatura g16 f2
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| f16 e d f32 e \once\slurDown\appoggiatura e8 f2
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%25
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| e16( d) d( c) c( f) f( e) e( a) a( g)
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| g( bes) bes( a) a( gis) gis( a) a( f) f( e)
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| e( dis) dis( e) e32[( d16.) c8 b\prall a]
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| a4 a2
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}
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}
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Alto = \context Voice = "two" \relative c'' {
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\voiceTwo
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\stemUp
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\override Rest.staff-position = #0
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%1
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| \override NoteColumn.force-hshift = #0.3
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a4
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\override NoteColumn.force-hshift = #1
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f
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\override NoteColumn.force-hshift = #0.5
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e8 d
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| \override NoteColumn.force-hshift = #0.3 c4 c2
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| \revert NoteColumn.force-hshift
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\stemDown a'4\arpeggio c8[ b] a[ gis]
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| gis4( a4) e
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%5
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| s2.*2
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| \once\stemUp \once\override NoteColumn.force-hshift = #0.3 c'4 c a
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| c b2
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| s2.*2
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%11
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| \stemUp r4 \override NoteColumn.force-hshift = #0.2 c b
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| g4 g2
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| \stemDown \revert NoteColumn.force-hshift e4 e8 d c b
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| c4 c2
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%15
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| s2.
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| fis4 b d,\rest
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| s2.*2
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| s2 s8 b'
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%20
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| \once\override NoteColumn.force-hshift = #-1.1 b4 g2
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| g4\rest \stemDown a8\rest f'! e d
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| \stemUp \override NoteColumn.force-hshift = #0.4 cis4 cis2
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| \stemDown g4\rest g8\rest e' d c!
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| \stemUp \override NoteColumn.force-hshift = #0.3 b4 b2
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\revert NoteColumn.force-hshift
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%25
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| \stemDown d,4\rest d\rest g8\rest c8
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| f e d c b c
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| a4 a\rest
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\stemUp \override NoteColumn.force-hshift = #0.5
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gis
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| e4 e2
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}
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Tenor = \context Voice = "three" \relative c' {
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\voiceThree
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\stemDown
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\override Rest.staff-position = #0
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%1
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| \change Staff = "upper" e4 e8 d c b
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| \change Staff = "lower" \stemUp a4 a2
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| << {
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\stemUp \once\override NoteColumn.force-hshift = #0.8 e4\arpeggio
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} \\ {
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\stemUp \once\override NoteColumn.force-hshift = #0.4 a\arpeggio
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} \\ {
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\stemUp \once\override NoteColumn.force-hshift = #0 e'\arpeggio
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} >>
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<< {
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\stemUp \once\override NoteColumn.force-hshift = #0.4 a,4
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} \\ {
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\stemUp \once\override NoteColumn.force-hshift = #0 f'
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} >>
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s4
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| e4. d8 c[ b]
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%5
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| s2.*2
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| \change Staff = "upper" \stemDown g'4
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\change Staff = "lower" \stemUp c, f8 e
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| d4 d2
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| s2.*2
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%11
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| s4 \change Staff = "upper" \stemDown g f
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| \once\override NoteColumn.force-hshift = #1 f8[ d] e2
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| \change Staff = "lower" \stemUp
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c4 c g
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| g g2
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%15
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| s2.
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| b8[ cis] dis4 d\rest
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| s2.*2
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| \change Staff = "upper" \stemDown
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s2 g8\rest \once\stemUp dis'
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| \once\override NoteColumn.force-hshift = #0 dis e \once\stemUp b2
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%22
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| s2.
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| f8\rest bes a[ g f e]
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| \change Staff = "lower" \stemUp
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d4 d\rest d\rest
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%25
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| \change Staff = "upper" \stemDown
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e8\rest a g[ f e d]
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| s2.*2
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| s2 d4
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| c4 c2
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}
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Bass = \context Voice = "four" \relative c' {
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\voiceFour
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\stemDown\tieDown
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\override MultiMeasureRest.staff-position = #0
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\override Rest.staff-position = #0
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\repeat volta 2 {
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%1
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| a4 d, e
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| f e8( d c b)
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| c4\arpeggio d e
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| a, c e
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%5
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|\stemNeutral a a, r
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| b' b, r
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| \stemDown c'8 b a g f4
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| f8( e g f e d)
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| e2 r4
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%10
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| f2 fis4
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| \stemNeutral r4 g^\mordent^\markup { \tiny\sharp } g,
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| c c,2
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}
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\repeat volta 2 {
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| \stemDown c'8 e g4 g,
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| c4 c8 b a g
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%15
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| fis4 e e'
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| b b'8 a g fis
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| e4 e' r8 e,
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| dis4 dis' r8 d,!
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| \stemNeutral c4 g! b
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%20
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| e, g b
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| e f! g
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| a r r
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| d, e f
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| g r r
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%25
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| c8 b a g f e
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| d c b! a gis a
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| fis4 e e'
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| a,8 c16 e a2
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}
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}
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forceBreaks = {
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% page 1
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\repeat unfold 4 { s2.\noBreak } s2.\break\noPageBreak
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\repeat unfold 3 { s2.\noBreak } s2.\break\noPageBreak
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\repeat unfold 4 { s2.\noBreak } s2.\break\noPageBreak
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\repeat unfold 3 { s2.\noBreak } s2.\break\noPageBreak
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\repeat unfold 4 { s2.\noBreak } s2.\break\noPageBreak
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\repeat unfold 4 { s2.\noBreak } s2.\pageBreak
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}
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\score {
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\new PianoStaff \with { connectArpeggios = ##t }
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<<
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\accidentalStyle Score.piano
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\context Staff = "upper" <<
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\set Staff.midiInstrument = #"acoustic grand"
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\Global
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\clef treble
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\Soprano
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\Alto
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>>
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\context Staff = "lower" <<
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\set Staff.midiInstrument = #"acoustic grand"
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\Global
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\clef bass
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\Tenor
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\Bass
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>>
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\new Devnull \forceBreaks
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>>
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\header {
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composer = ##f % "Johann Sebastian Bach"
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opus = ##f % "BWV 807"
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title = \markup { \italic "Les agréments de la même Sarabande" }
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subtitle = ##f
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}
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\layout {
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\context {
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\PianoStaff
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\override Parentheses.font-size = #-2
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\override TextScript.font-shape = #'italic
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\override TextScript.font-size = #-1
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}
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}
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\midi {
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\tempo 4 = 100
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}
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}

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