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Eerola.bib
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%% This BibTeX bibliography file was created using BibDesk.
%% https://bibdesk.sourceforge.io/
%% Created for Tuomas Eerola at 2025-01-20 08:40:02 +0000
%% Saved with string encoding Unicode (UTF-8)
@article{eerola2024episode,
author = {Eerola, T. and Kirts, C. and Saarikallio, S. H.},
date-added = {2025-01-20 08:39:03 +0000},
date-modified = {2025-01-20 08:39:28 +0000},
doi = {10.1177/03057356241279763},
journal = {Psychology of Music},
keywords = {Music & emotion},
title = {Episode model: The functional approach to emotional experiences of music},
year = {2024}}
@article{fernandez2024regulation,
author = {Garc{\'\i}a-Fern{\'a}ndez, M. and Fuentes-S{\'a}nchez, N. and Escrig, M. A. and Eerola, T. and Pastor, M. Carmen},
date-added = {2025-01-20 08:38:19 +0000},
date-modified = {2025-01-20 08:39:52 +0000},
journal = {Current Psychology},
keywords = {Music & emotion},
title = {Gender, emotion regulation, and cognitive flexibility as predictors of depression, anxiety, and affect in healthy adults},
year = {Accepted 21/12/2024}}
@article{eerola2023transparency,
author = {Eerola, T.},
date-added = {2025-01-20 08:36:31 +0000},
date-modified = {2025-01-20 08:36:54 +0000},
journal = {Musicae Scientiae},
keywords = {metascience},
title = {Prevalence of transparency and reproducibility-related research practices in music psychology (2017-2022)},
year = {2024}}
@article{fuentessanchez2023,
author = {Fuentes-S{\'a}nchez, N. Garc{\'\i}a-Fern{\'a}ndez, M and Escrig, M. A. and Eerola, T. and Pastor, M. Carmen},
date-added = {2024-11-25 21:26:15 +0000},
date-modified = {2025-01-20 08:27:21 +0000},
doi = {https://doi.org/10.1177/10298649241286974},
journal = {Psychology of Music},
keywords = {Music & emotion},
title = {The role of gender in emotional reactions elicited by music: Autonomic reactivity, facial expression, and self-reports},
year = {2024}}
@article{hardwicke2025,
author = {Hardwicke, T. E. and Thibault, R. T. and Clarke, B. and Moodie, N., and Cruwell, S. and Schiavone, S. R. and Handcock, S. A. and Ngiem, K. A. and Mody, F. and Eerola, T. and Vazire, S.},
date-added = {2024-11-25 21:25:48 +0000},
date-modified = {2024-11-25 21:28:05 +0000},
doi = {10.1177/25152459241283477},
journal = {Advances in Methods and Practices in Psychological Science},
keywords = {metascience},
number = {4},
pages = {1-13},
title = {Prevalence of transparent research practices in psychology: A cross-sectional study of empirical articles published in 2022},
volume = {7},
year = {2024}}
@article{armitage_etal_2024,
author = {Armitage, J. and Eerola, T. and Halpern, A.},
date-added = {2024-11-25 21:25:32 +0000},
date-modified = {2025-01-20 08:27:09 +0000},
doi = {https://doi.org/10.3758/s13421-024-01614-8},
journal = {Memory \& Cognition},
keywords = {Music & emotion},
title = {Play it again, but more sadly: Influence of timbre, mode, and musical experience in melody processing},
year = {2024}}
@book{eerola2025,
address = {London, UK},
author = {Eerola, T.},
date-added = {2024-11-25 21:24:49 +0000},
date-modified = {2025-01-20 08:33:41 +0000},
keywords = {textbook},
publisher = {Routledge},
series = {SEMPRE Studies in the Psychology of Music},
title = {Music and Science -- A Guide to Empirical Research},
year = {2024}}
@article{SCHILLER2024105450,
abstract = {Over the last decades, theoretical perspectives in the interdisciplinary field of the affective sciences have proliferated rather than converged due to differing assumptions about what human affective phenomena are and how they work. These metaphysical and mechanistic assumptions, shaped by academic context and values, have dictated affective constructs and operationalizations. However, an assumption about the purpose of affective phenomena can guide us to a common set of metaphysical and mechanistic assumptions. In this capstone paper, we home in on a nested teleological principle for human affective phenomena in order to synthesize metaphysical and mechanistic assumptions. Under this framework, human affective phenomena can collectively be considered algorithms that either adjust based on the human comfort zone (affective concerns) or monitor those adaptive processes (affective features). This teleologically-grounded framework offers a principled agenda and launchpad for both organizing existing perspectives and generating new ones. Ultimately, we hope the Human Affectome brings us a step closer to not only an integrated understanding of human affective phenomena, but an integrated field for affective research.},
author = {Daniela Schiller and Alessandra N.C. Yu and Nelly Alia-Klein and Susanne Becker and Howard C. Cromwell and Florin Dolcos and Paul J. Eslinger and Paul Frewen and Andrew H. Kemp and Edward F. Pace-Schott and Jacob Raber and Rebecca L. Silton and Elka Stefanova and Justin H.G. Williams and Nobuhito Abe and Moji Aghajani and Franziska Albrecht and Rebecca Alexander and Silke Anders and Oriana R. Arag{\'o}n and Juan A. Arias and Shahar Arzy and Tatjana Aue and Sandra Baez and Michela Balconi and Tommaso Ballarini and Scott Bannister and Marlissa C. Banta and Karen Caplovitz Barrett and Catherine Belzung and Moustafa Bensafi and Linda Booij and Jamila Bookwala and Julie Boulanger-Bertolus and Sydney Weber Boutros and Anne-Kathrin Br{\"a}scher and Antonio Bruno and Geraldo Busatto and Lauren M. Bylsma and Catherine Caldwell-Harris and Raymond C.K. Chan and Nicolas Cherbuin and Julian Chiarella and Pietro Cipresso and Hugo Critchley and Denise E. Croote and Heath A. Demaree and Thomas F. Denson and Brendan Depue and Birgit Derntl and Joanne M. Dickson and Sanda Dolcos and Anat Drach-Zahavy and Olga Dubljevi{\'c} and Tuomas Eerola and Dan-Mikael Ellingsen and Beth Fairfield and Camille Ferdenzi and Bruce H. Friedman and Cynthia H.Y. Fu and Justine M. Gatt and Beatrice {de Gelder} and Guido H.E. Gendolla and Gadi Gilam and Hadass Goldblatt and Anne Elizabeth Kotynski Gooding and Olivia Gosseries and Alfons O. Hamm and Jamie L. Hanson and Talma Hendler and Cornelia Herbert and Stefan G. Hofmann and Agustin Ibanez and Mateus Joffily and Tanja Jovanovic and Ian J. Kahrilas and Maria Kangas and Yuta Katsumi and Elizabeth Kensinger and Lauren A.J. Kirby and Rebecca Koncz and Ernst H.W. Koster and Kasia Kozlowska and S{\"o}ren Krach and Mariska E. Kret and Martin Krippl and Kwabena Kusi-Mensah and Cecile D. Ladouceur and Steven Laureys and Alistair Lawrence and Chiang-shan R. Li and Belinda J. Liddell and Navdeep K. Lidhar and Christopher A. Lowry and Kelsey Magee and Marie-France Marin and Veronica Mariotti and Loren J. Martin and Hilary A. Marusak and Annalina V. Mayer and Amanda R. Merner and Jessica Minnier and Jorge Moll and Robert G. Morrison and Matthew Moore and Anne-Marie Mouly and Sven C. Mueller and Andreas M{\"u}hlberger and Nora A. Murphy and Maria Rosaria Anna Muscatello and Erica D. Musser and Tamara L. Newton and Michael Noll-Hussong and Seth Davin Norrholm and Georg Northoff and Robin Nusslock and Hadas Okon-Singer and Thomas M. Olino and Catherine Ortner and Mayowa Owolabi and Caterina Padulo and Romina Palermo and Rocco Palumbo and Sara Palumbo and Christos Papadelis and Alan J. Pegna and Silvia Pellegrini and Kirsi Peltonen and Brenda W.J.H. Penninx and Pietro Pietrini and Graziano Pinna and Rosario Pintos Lobo and Kelly L. Polnaszek and Maryna Polyakova and Christine Rabinak and S. {Helene Richter} and Thalia Richter and Giuseppe Riva and Amelia Rizzo and Jennifer L. Robinson and Pedro Rosa and Perminder S. Sachdev and Wataru Sato and Matthias L. Schroeter and Susanne Schweizer and Youssef Shiban and Advaith Siddharthan and Ewa Siedlecka and Robert C. Smith and Hermona Soreq and Derek P. Spangler and Emily R. Stern and Charis Styliadis and Gavin B. Sullivan and James E. Swain and S{\'e}bastien Urben and Jan {Van den Stock} and Michael A. {vander Kooij} and Mark {van Overveld} and Tamsyn E. {Van Rheenen} and Michael B. VanElzakker and Carlos Ventura-Bort and Edelyn Verona and Tyler Volk and Yi Wang and Leah T. Weingast and Mathias Weymar and Claire Williams and Megan L. Willis and Paula Yamashita and Roland Zahn and Barbra Zupan and Leroy Lowe},
date-added = {2024-03-07 19:22:30 +0000},
date-modified = {2025-01-20 08:27:16 +0000},
doi = {https://doi.org/10.1016/j.neubiorev.2023.105450},
journal = {Neuroscience & Biobehavioral Reviews},
keywords = {Music & emotion},
pages = {105450},
title = {The Human Affectome},
url = {https://www.sciencedirect.com/science/article/pii/S0149763423004190},
volume = {158},
year = {2024}}
@article{lahdelmaeerola2024,
author = {Lahdelma, I. and Eerola, T.},
date-added = {2024-01-08 12:49:53 +0000},
date-modified = {2024-02-29 10:23:15 +0000},
doi = {https://doi.org/10.1525/mp.2024.41.3.161},
journal = {Music Perception},
keywords = {Consonance/dissonance},
number = {3},
pages = {161-175},
title = {Valenced Priming with Acquired Affective Concepts in Music: Automatic Reactions to Common Tonal Chords},
url = {https://doi.org/10.1525/mp.2024.41.3.161},
volume = {41},
year = {2024},
bdsk-url-1 = {https://doi.org/10.1525/mp.2024.41.3.161}}
@article{lahdelma2023c,
author = {Lahdelma, I. and Eerola, T.},
date-added = {2024-01-08 12:49:53 +0000},
date-modified = {2024-01-08 12:49:53 +0000},
doi = {https://doi.org/10.1016/j.plrev.2023.04.005},
journal = {Physics of Life Reviews},
keywords = {Consonance/dissonance},
pages = {56-59},
title = {Data-driven theory formulation or theory-driven data interpretation? Comment on ``Consonance and dissonance perception. A critical review of the historical sources, multidisciplinary findings, and main hypotheses'' by Di Stefano et al.},
volume = {45},
year = {2023},
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@article{armitage2023,
author = {Armitage, J. and Lahdelma, I. and Eerola, T. and Ambrazevi{\v c}ius, R.},
date-added = {2024-01-08 12:49:45 +0000},
date-modified = {2024-02-29 10:22:30 +0000},
journal = {Plos One},
keywords = {Consonance/dissonance},
number = {12},
pages = {e0294645},
title = {Culture influences conscious appraisal of, but not automatic aversion to, acoustically rough musical intervals},
url = {https://doi.org/10.1371/journal.pone.0294645},
volume = {18},
year = {2023},
bdsk-url-1 = {https://doi.org/10.1371/journal.pone.0294645}}
@article{eerola2024joss,
author = {Eerola, T. and Clayton, M.},
date-added = {2024-01-08 12:49:40 +0000},
date-modified = {2024-01-08 12:49:40 +0000},
doi = {10.21105/joss.05395},
journal = {Journal of Open Source Software},
keywords = {Computational modelling},
number = {93},
pages = {5395},
publisher = {The Open Journal},
title = {onsetsync: An R Package for Onset Synchrony Analysis},
url = {https://doi.org/10.21105/joss.05395},
volume = {9},
year = {2024}}
@manual{eerolaclayton_2023a,
author = {Eerola, T. and Clayton, M. and Emms, P.},
date-added = {2023-06-10 18:58:01 +0100},
date-modified = {2023-06-10 18:58:48 +0100},
keywords = {Computational modelling},
note = {R package version 0.1.4},
title = {movementsync: Analysis and Visualisation of Musical Audio and Video Movement Synchrony Data},
url = {https://cloud.r-project.org/package=movementsync},
year = {2023},
bdsk-url-1 = {https://cloud.r-project.org/package=movementsync}}
@manual{eerolaclayton_2022a,
author = {Eerola, T. and Clayton, M.},
date-added = {2023-06-10 18:57:13 +0100},
date-modified = {2023-06-10 18:59:47 +0100},
keywords = {Computational modelling},
title = {onsetsync - Analysis and Visualisation of Synchronisation of Music Onset Data},
url = {https://github.com/tuomaseerola/onsetsync},
year = {2022},
bdsk-url-1 = {https://github.com/tuomaseerola/onsetsync}}
@article{grimaud2021b,
author = {Grimaud, Annaliese Micallef and Eerola, T.},
date-added = {2023-06-10 18:55:03 +0100},
date-modified = {2025-01-20 08:27:31 +0000},
doi = {https:// doi.org/10.1371/journal.pone.0279605},
journal = {Plos One},
keywords = {Emotional expression},
number = {12},
pages = {e0279605},
title = {Emotional expression through musical cues: A comparison of production and perception approaches},
url = {https:// doi.org/10.1371/journal.pone.0279605},
volume = {17},
year = {2022},
bdsk-url-1 = {https://%20doi.org/10.1371/journal.pone.0279605}}
@article{javadi2021,
author = {Herdson, O. and Eerola, T. and Javadi, A.-H.},
date-added = {2022-12-19 14:30:56 +0000},
date-modified = {2024-02-29 10:21:52 +0000},
doi = {https://doi.org/10.1177/17540739221140472},
journal = {Emotion Review},
keywords = {Music & emotion, sadness},
number = {2},
pages = {99-117},
title = {Analysis and Classification of Music-induced States of Sadness},
volume = {15},
year = {2022},
bdsk-url-1 = {https://doi.org/10.1177/17540739221140472}}
@inbook{eerola2021a,
address = {London, UK},
author = {Eerola, T.},
chapter = {Future Perspectives and Challenges},
date-added = {2022-12-19 14:28:44 +0000},
date-modified = {2022-12-19 14:33:38 +0000},
doi = {10.4324/9780429330070-30},
editor = {K{\"u}ssner, M. and Taruffi, L. and Floridou, G. A.},
keywords = {Mental imagery & music},
pages = {281-288},
publisher = {Routledge},
title = {Music and Mental Imagery},
year = {2023},
bdsk-url-1 = {https://doi.org/10.4324/9780429330070-30}}
@article{nieves,
author = {Fuentes-S{\'a}nchez, N. and Pastor, R. and Eerola, T. and {\'A}ngel Escrig, M. and Pastor, M. C.},
date-added = {2022-09-08 14:32:09 +0100},
date-modified = {2022-12-19 14:36:23 +0000},
doi = {https://doi.org/10.1016/j.paid.2022.111828},
journal = {Personality and Individual Differences},
keywords = {Music & emotion},
number = {111828},
title = {Musical Preference but not Familiarity Influences Subjective Ratings and Psychophysiological Correlates of Music-Induced Emotions},
volume = {198},
year = {2022},
bdsk-url-1 = {https://doi.org/10.1016/j.paid.2022.111828}}
@article{armitage2021,
author = {Armitage, J. and Eerola, T.},
date-added = {2022-09-08 14:31:48 +0100},
date-modified = {2023-11-21 20:10:56 +0000},
doi = {https://doi.org/10.1080/25742442.2022.2087451},
journal = {Auditory Perception \& Cognition},
keywords = {Music & emotion, preregistered},
number = {3-4},
pages = {192-210},
title = {Cross-modal Transfer of Valence or Arousal from Music to Word Targets in Affective Priming?},
url = {https://doi.org/10.1080/25742442.2022.2087451},
volume = {5},
year = {2022},
bdsk-url-1 = {https://doi.org/10.1080/25742442.2022.2087451}}
@article{reybrouck2022,
author = {Reybrouck, M. and Eerola, T.},
date-added = {2022-05-19 08:33:38 +0100},
date-modified = {2022-05-19 08:33:38 +0100},
doi = {https://doi.org/10.3390/bs12050154},
journal = {Behavioural Sciences},
keywords = {Music & Emotion},
number = {5},
pages = {154},
title = {Musical enjoyment and reward: from hedonic pleasure to eudaimonic listening},
url = {https://www.mdpi.com/2076-328X/12/5/154},
volume = {12},
year = {2022},
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@article{street2022,
author = {Street, S. E. and Eerola, T. and Kendal, J.},
date-added = {2022-04-29 08:12:29 +0100},
date-modified = {2022-04-29 08:13:36 +0100},
doi = {https://doi.org/10.1057/s41599-022-01139-y},
journal = {Humanities and Social Sciences Communications},
keywords = {Computational modelling, Complexity},
number = {152},
title = {The role of population size in folk tune complexity},
url = {https://doi.org/10.1057/s41599-022-01139-y},
volume = {9},
year = {2022},
bdsk-url-1 = {https://doi.org/10.1057/s41599-022-01139-y}}
@article{lennie2022,
author = {Lennie, T. M. and Eerola, T.},
date-added = {2022-04-29 08:12:29 +0100},
date-modified = {2022-04-29 08:12:29 +0100},
doi = {https://doi.org/10.3389/fpsyg.2022.822264},
journal = {Frontiers in Psychology: Auditory Cognitive Neuroscience},
keywords = {Music & emotion},
title = {The CODA model: a review and skeptical extension of the constructionist model of emotional episodes induced by music},
url = {https://doi.org/10.3389/fpsyg.2022.822264},
year = {2022},
bdsk-url-1 = {https://www.frontiersin.org/articles/10.3389/fpsyg.2022.822264}}
@article{lahdelma2021C,
author = {Lahdelma, I. and Eerola, T. and Armitage, J.},
date-added = {2022-04-29 08:12:29 +0100},
date-modified = {2022-04-29 08:12:29 +0100},
doi = {https://doi.org/10.3389/fpsyg.2022.802385},
journal = {Frontiers in Psychology},
keywords = {Consonance/dissonance},
title = {Is Harmonicity a Misnomer for Cultural Familiarity in Consonance Preferences?},
url = {https://doi.org/10.3389/fpsyg.2022.802385},
year = {2022},
bdsk-url-1 = {https://www.frontiersin.org/articles/10.3389/fpsyg.2022.802385/}}
@article{grimaud_eerola_2022,
author = {Grimaud, Annaliese Micallef and Eerola, T.},
date-added = {2022-02-14 12:49:46 +0000},
date-modified = {2022-04-29 08:13:09 +0100},
doi = {https://doi.org/10.1177/20592043211061745},
journal = {Music \& Science},
keywords = {Music & emotion},
pages = {1-23},
title = {An Interactive Approach to Emotional Expression through Musical Cues},
volume = {5},
year = {2022},
bdsk-url-1 = {https://doi.org/10.1177/20592043211061745}}
@article{eerola_lahdelma2021c,
author = {Eerola, T. and Lahdelma, I.},
date-modified = {2023-11-21 20:11:20 +0000},
doi = {10.3758/s13423-021-02033-5},
journal = {Psychonomic Bulletin and Review},
keywords = {Consonance/dissonance, preregistered},
pages = {800-808},
title = {Register Impacts Perceptual Consonance through Roughness and Sharpness},
url = {https://doi.org/10.3758/s13423-021-02033-5},
volume = {29},
year = {2021},
bdsk-url-1 = {https://doi.org/10.3758/s13423-021-02033-5}}
@article{fuentes2021,
author = {Fuentes-S{\'a}nchez, N. and Pastor, M. C. and and Eerola, T. and Pastor, R.},
doi = {https://doi.org/10.1177/10298649211060028},
journal = {Musicae Scientiae},
keywords = {Music & emotion},
title = {Individual differences in music reward sensitivity influence the perception of emotions represented by music},
url = {https://doi.org/10.1177/10298649211060028},
year = {2021},
bdsk-url-1 = {https://doi.org/10.1177/10298649211060028}}
@article{eerola_et_al_2021c,
author = {Eerola, T. and Armitage, J. and Lavan, N. and Knight, S.},
doi = {https://doi.org/10.1080/25742442.2021.2007718},
journal = {Auditory Perception \& Cognition},
keywords = {Theoretical/Review},
title = {Online Data Collection in Auditory Perception and Cognition Research: Recruitment, Testing, Data Quality and Ethical Considerations},
url = {https://doi.org/10.1080/25742442.2021.2007718},
year = {2021},
bdsk-url-1 = {https://doi.org/10.1080/25742442.2021.2007718}}
@article{Clayton2020emr,
author = {Clayton, M. and Tarsitani, S. and Jankowsky, R. and Jure, L. and Leante, L. and Polak, R. and Poole, A. and Rocamora, M. and Alborno, P. and Camurri, A. and Eerola, T. and Jacoby, N., and Jakubowski, K.},
doi = {http://dx.doi.org/10.18061/emr.v16i1.7555},
journal = {Empirical Musicology Review},
keywords = {Entrainment},
number = {1},
pages = {65-84},
title = {The Interpersonal Entrainment in Music Performance Data Collection},
url = {http://dx.doi.org/10.18061/emr.v16i1.7555},
volume = {16},
year = {2021},
bdsk-url-1 = {http://dx.doi.org/10.18061/emr.v16i1.7555}}
@article{eerola_etal_2021,
author = {Eerola, T. and Vuoskoski, J. K. and Kautiainen, H. and Peltola, H.-R. and Putkinen, V. and Sch{\"a}fer, K.},
date-added = {2021-10-30 11:11:50 +0100},
date-modified = {2021-10-30 11:12:26 +0100},
doi = {DOI:10.1111/nyas.14660},
journal = {Annals of the New York Academy of Sciences},
keywords = {Music & emotion, Sadness},
pages = {121-131},
title = {Being moved by listening to unfamiliar sad music induces reward-related hormonal changes in empathic listeners},
url = {https://doi.org/10.1111/nyas.14660},
volume = {1502},
year = {2021},
bdsk-url-1 = {https://doi.org/10.1111/nyas.14660}}
@article{gomez2021,
author = {G{\'o}mez-Ca{\~n}{\'o}n, Juan Sebasti{\'a}n and Cano, Estefan{\'\i}a and Eerola, T. and Herrera, Perfecto and Hu, Xiao and Yang, Yi-Hsuan and G{\'o}mez, Emilia},
date-added = {2021-10-30 11:09:25 +0100},
date-modified = {2021-10-30 11:09:38 +0100},
doi = {10.1109/MSP.2021.3106232},
journal = {IEEE Signal Processing Magazine},
keywords = {Computational modelling},
number = {6},
pages = {106-114},
title = {Music Emotion Recognition: Toward new, robust standards in personalized and context-sensitive applications},
volume = {38},
year = {2021},
bdsk-url-1 = {https://doi.org/10.1109/MSP.2021.3106232}}
@article{jakubowski2021,
author = {Jakubowski, K. and Eerola, T.},
date-modified = {2021-12-16 09:22:17 +0000},
doi = {https://doi.org/10.1016/j.jarmac.2021.09.002},
journal = {Journal of Applied Research in Memory and Cognition},
keywords = {Autobiographical memories & music},
title = {Music evokes fewer but more positive autobiographical memories than emotionally matched sound and word cues},
url = {https://doi.org/10.1016/j.jarmac.2021.09.002},
year = {2021},
bdsk-url-1 = {https://doi.org/10.1016/j.jarmac.2021.09.002}}
@article{lahdelma_etal2021,
author = {Lahdelma, I. and Athanasopoulos, G. and Eerola, T.},
doi = {https://doi.org/10.1111/nyas.14655},
journal = {Annals of the New York Academy of Sciences},
keywords = {Cross-cultural, Consonance/dissonance},
title = {Sweetness is in the ear of the beholder: chord preference across United Kingdom and Pakistani listeners},
url = {https://doi.org/10.1111/nyas.14655},
url_link = {https://twitter.com/tuomas_ee/status/1414583775770595330},
url_paper = {pdfs/lahdelma_et_al_2021.pdf},
year = {2021},
bdsk-url-1 = {https://doi.org/10.1111/nyas.14655}}
@article{eerola2021,
author = {Eerola, T. and Lahdelma, I.},
date-modified = {2021-12-16 09:20:46 +0000},
doi = {https://doi.org/10.1177/20592043211030471},
journal = {Music \& Science},
keywords = {Consonance/dissonance},
title = {The Anatomy of Consonance/Dissonance: Evaluating Acoustic and Cultural Predictors Across Multiple Datasets with Chords},
url_link = {https://twitter.com/tuomas_ee/status/1414966499010301956},
volume = {4},
year = {2021},
bdsk-url-1 = {https://doi.org/10.1177/20592043211030471}}
@article{bannister2021,
author = {Bannister, S and Eerola, T},
doi = {http://dx.doi.org/10.1037/aca0000421},
journal = {Psychology of Aesthetics, Creativity, and the Arts},
keywords = {Chills, Music & emotion},
title = {Vigilance and Social Chills with Music: Evidence for Distinct Types of Musical Chills},
url_link = {https://twitter.com/tuomas_ee/status/1444977000746266627?s=21},
year = {2021},
bdsk-url-1 = {http://dx.doi.org/10.1037/aca0000421}}
@article{lahdelmaeerola2020,
author = {Lahdelma, I. and Eerola, T.},
date-modified = {2021-10-16 17:25:22 +0100},
journal = {Empirical Musicology Review},
keywords = {Theoretical/Review},
title = {A Response to Michael Spitzer's Commentary},
url = {http://dx.doi.org/10.18061/emr.v15i1-2.7324},
year = {2020},
bdsk-url-1 = {http://dx.doi.org/10.18061/emr.v15i1-2.7324}}
@article{armitage2020,
author = {Armitage, J. and Lahdelma, I. and Eerola, T.},
doi = {10.1121/10.0005623},
journal = {Journal of Acoustical Society of America},
keywords = {Consonance/dissonance},
number = {551},
title = {Automatic responses to musical intervals: Contrasts in acoustic roughness predict affective priming in Western listeners},
url = {https://doi.org/10.1121/10.0005623},
url_link = {https://twitter.com/ASA_JASA/status/1421168925136539655},
volume = {150},
year = {2021},
bdsk-url-1 = {https://doi.org/10.1121/10.0005623}}
@article{athanasapoulos2021,
author = {Athanasopoulos, G. and Eerola, T. and Lahdelma, I. and Kaliakatsos-Papakostas, M.},
date-modified = {2021-10-16 20:11:47 +0100},
doi = {https://doi.org/ 10.1371/journal.pone.0244964},
journal = {Plos One},
keywords = {Cross-cultural, Consonance/dissonance, Emotional expression},
number = {1},
pages = {e0244964},
title = {Harmonic organisation conveys both universal and culture-specific cues for emotional expression in music},
url_link = {https://twitter.com/tuomas_ee/status/1349432015515480065},
volume = {16},
year = {2021},
bdsk-url-1 = {https://doi.org/%2010.1371/journal.pone.0244964}}
@article{schafer2020b,
author = {Sch{\"a}fer, K. and Saarikallio, S., and Eerola, T.},
date-modified = {2021-10-30 11:13:47 +0100},
journal = {Music \& Science},
keywords = {Music & emotion, Social},
pages = {1-16},
title = {Music may reduce loneliness and act as social surrogate for a friend: Evidence from an experimental listening study},
url = {https://doi.org/10.1177/2059204320935709},
url_link = {https://twitter.com/tuomas_ee/status/1041587468821258241?},
volume = {3},
year = {2020},
bdsk-url-1 = {https://doi.org/10.1177/2059204320935709}}
@article{lahdelma2020,
author = {Lahdelma, I., and Eerola, T.},
doi = {https://doi.org/10.1038/s41598-020-65615-8},
journal = {Scientific Reports},
keywords = {Consonance/dissonance},
number = {10},
pages = {8693},
title = {Cultural familiarity and musical expertise impact the pleasantness of consonance/dissonance but not its perceived tension},
url = {https://doi.org/10.1038/s41598-020-65615-8},
url_link = {https://twitter.com/tuomas_ee/status/1265206758726873090},
year = {2020},
bdsk-url-1 = {https://doi.org/10.1038/s41598-020-65615-8}}
@article{fuentes2020,
author = {Fuentes-S{\'a}nchez, N. and Pastor, R. and Eerola, T. and Pastor, M. C.},
date-modified = {2021-10-30 11:16:13 +0100},
doi = {10.1177/0305735620958464},
journal = {Psychology of Music},
keywords = {Music & emotion},
number = {5},
pages = {1242-1260},
title = {Spanish adaptation of a film music stimulus set (FMSS): Cultural and gender differences in the perception of emotions prompted by music excerpts},
url = {https://doi.org/10.1177/0305735620958464},
url_link = {https://twitter.com/tuomas_ee/status/1314528942720778242},
volume = {49},
year = {2020},
bdsk-url-1 = {https://doi.org/10.1177/0305735620958464}}
@article{jakubowski_etal_2020,
author = {Jakubowski, K., and Eerola, T., and Tillmann, B. and Perrin, F. and Heine, L.},
date-modified = {2021-10-30 11:17:18 +0100},
journal = {Music \& Science},
keywords = {Music & emotion, Autobiographical memories & music},
pages = {1-13},
title = {A cross-sectional study of reminiscence bumps for music-related memories in adulthood},
url = {https://doi.org/10.1177/2059204320965058},
volume = {3},
year = {2020},
bdsk-url-1 = {https://doi.org/10.1177/2059204320965058}}
@article{lahdelma2020b,
author = {Lahdelma, I., and Armitage, J. and Eerola, T.},
date-modified = {2022-05-27 17:27:59 +0100},
doi = {https://doi.org/10.1177/1029864920911127},
journal = {Musicae Scientiae},
keywords = {Consonance/dissonance},
number = {1},
pages = {208--217},
title = {Affective Priming With Musical Chords is Influenced by Pitch Numerosity},
url = {https://doi.org/10.1177/1029864920911127},
url_link = {https://twitter.com/tuomas_ee/status/1240684120058916864},
volume = {26},
year = {2020},
bdsk-url-1 = {https://doi.org/10.1177/1029864920911127}}
@inproceedings{grimaud_2019,
acmid = {3356608},
address = {New York, NY, USA},
author = {Grimaud-Micallef, A. and Eerola, T. and Collins, N.},
booktitle = {Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound on ZZZ},
doi = {10.1145/3356590.3356608},
isbn = {978-1-4503-7297-8},
keywords = {Music & emotion, Emotional expression},
location = {Nottingham, United Kingdom},
numpages = {5},
pages = {111--115},
publisher = {ACM},
series = {AM'19},
title = {EmoteControl: A System for Live-Manipulation of Emotional Cues in Music},
url = {http://doi.acm.org/10.1145/3356590.3356608},
year = {2019},
bdsk-url-1 = {http://doi.acm.org/10.1145/3356590.3356608},
bdsk-url-2 = {https://doi.org/10.1145/3356590.3356608}}
@article{jakubowski_et_al_2020,
author = {Jakubowski, K. and Eerola, T. Blackwood Ximenes, A. and Ma, K. W. and Clayton, M. and Keller, P.},
doi = {10.1037/pmu0000264},
journal = {Psychomusicology: Music, Mind, and Brain},
keywords = {Entrainment},
number = {4},
pages = {159-177},
title = {Multimodal perception of interpersonal synchrony: Evidence from global and continuous ratings of improvised musical duo performances},
url = {https://doi.org/10.1037/pmu0000264},
volume = {30},
year = {2020},
bdsk-url-1 = {https://doi.org/10.1037/pmu0000264}}
@article{grimault_eerola_2020,
author = {Micallef Grimaud, A. and Eerola, T.},
doi = {10.1007/s00779-020-01390-7},
journal = {Personal and Ubiquitous Computing},
keywords = {Music & emotion, Emotional expression},
number = {4},
pages = {677-689},
title = {EmoteControl: An interactive system for real-time control of emotional expression in music},
url = {http://link.springer.com/article/10.1007/s00779-020-01390-7},
url_link = {https://twitter.com/LieseGrimaud/status/1246076932887724037},
volume = {25},
year = {2021},
bdsk-url-1 = {http://link.springer.com/article/10.1007/s00779-020-01390-7},
bdsk-url-2 = {https://doi.org/10.1007/s00779-020-01390-7}}
@article{brown_etal2019,
author = {Brown, P. and RELISH Consortium, and Zhou, Y.},
date-modified = {2021-10-16 17:19:54 +0100},
journal = {Database},
keywords = {Similarity},
pages = {1-67},
title = {Large expert-curated database for benchmarking document similarity detection in biomedical literature search},
url = {https://dx.doi.org/10.1093%2Fdatabase%2Fbaz085},
year = {2019},
bdsk-url-1 = {https://dx.doi.org/10.1093%2Fdatabase%2Fbaz085}}
@article{kussner_eerola2018b,
author = {K{\"u}ssner, M. and Eerola, T. and Fujioka, T.},
date-modified = {2021-10-16 20:08:33 +0100},
doi = {10.1037/pmu0000245},
journal = {Psychomusicology: Music, Mind, and Brain},
keywords = {Mental imagery & music},
number = {2-3},
pages = {59-61},
title = {Music, Emotion, and Visual Imagery: Where Are We now?},
url = {http://dx.doi.org/10.1037/pmu0000245},
volume = {29},
year = {2019},
bdsk-url-1 = {http://dx.doi.org/10.1037/pmu0000245}}
@article{jakubowski_et_al2019,
author = {Jakubowski, K. and Belfi, A. and Eerola, T.},
date-modified = {2021-10-17 09:16:05 +0100},
doi = {10.1525/mp.2021.38.5.435},
journal = {Music Perception},
keywords = {Music & emotion, Autobiographical memories & music},
number = {5},
pages = {435-455},
title = {Phenomenological and age-related differences in music- and television-evoked autobiographical memories},
volume = {38},
year = {2021},
bdsk-url-1 = {https://doi.org/10.1525/mp.2021.38.5.435}}
@article{armitage2019,
author = {Armitage, J. and Eerola, T.},
journal = {Frontiers in Psychology},
keywords = {Consonance/dissonance},
title = {Reaction Time Data in Music Cognition: A Comparison of Pilot Data Sets from Lab, Crowdsourced and Convenience Web Samples},
url = {https://doi.org/10.3389/fpsyg.2019.02883},
url_link = {https://twitter.com/tuomas_ee/status/1214830982752288770},
year = {2020},
bdsk-url-1 = {https://doi.org/10.3389/fpsyg.2019.02883}}
@article{clayton2020a,
author = {Clayton, M. and Jakubowski, K. and Eerola, T. and Keller, P. and Camurri, A. and Volpe, G. and Alborno, P.},
doi = {10.1525/mp.2020.38.2.136},
journal = {Music Perception},
keywords = {Entrainment},
number = {2},
pages = {136-194},
title = {Interpersonal entrainment in music performance: Theory, method and model},
url = {https://doi.org/10.1525/mp.2020.38.2.136},
url_link = {https://twitter.com/tuomas_ee/status/1346043891259232256},
volume = {38},
year = {2020},
bdsk-url-1 = {https://doi.org/10.1525/mp.2020.38.2.136}}
@article{maksimainen2018,
author = {Maksimainen, J. and Wikgren, J. and Eerola, T. and Saarikallio, S.},
date-modified = {2021-10-16 20:54:40 +0100},
doi = {10.1038/s41598-018-35899-y},
isbn = {2045-2322},
journal = {Scientific Reports},
keywords = {Music & emotion, Neuroscience},
number = {1},
pages = {17638},
title = {The Effect of Memory in Inducing Pleasant Emotions with Musical and Pictorial Stimuli},
url = {https://doi.org/10.1038/s41598-018-35899-y},
url_link = {https://twitter.com/tuomas_ee/status/1070351288456671232},
volume = {8},
year = {2018},
bdsk-url-1 = {https://doi.org/10.1038/s41598-018-35899-y}}
@article{becker2019,
author = {Becker, S and Joffily, M and Olino, T and Martin, L and Br{\"a}scher, A-K and Bannister, S and Ellingsen, D-M and Ferdenzi, C and Calma-Birling, D and Chan, R and Lowe, L J and Hanson, J L and Eerola, T and Lidhar, N and Noll-Hussong, M and Musser, E and Pintos Lobo, R and Wang, Y and Bensafi, M},
date-modified = {2021-10-16 20:13:02 +0100},
doi = {10.1016/j.neubiorev.2019.05.003},
journal = {Neuroscience & Biobehavioral Reviews},
keywords = {Theoretical/Review, Neuroscience},
pages = {221-241},
title = {The Role of Hedonics in the Human Affectome},
url = {https://doi.org/10.1016/j.neubiorev.2019.05.003},
url_link = {https://twitter.com/tuomas_ee/status/1126392845496197120},
volume = {102},
year = {2019},
bdsk-url-1 = {https://doi.org/10.1016/j.neubiorev.2019.05.003}}
@article{eerola_et_al_2018a,
author = {Eerola, T. and Vuoskoski, J. K., and Peltola, H.-R. and Putkinen, V. and Sch{\"a}fer, K.},
doi = {https://doi.org/10.1016/j.plrev.2018.06.013},
issn = {1571-0645},
journal = {Physics of Life Reviews},
keywords = {Music & emotion, Sadness},
pages = {156-166},
title = {Towards a more explicit account of the transformation: Reply to comments on ``An integrative review of the enjoyment of sadness associated with music''},
url = {http://www.sciencedirect.com/science/article/pii/S1571064518300769},
url_link = {https://twitter.com/tuomas_ee/status/1017800249316913158},
volume = {25},
year = {2018},
bdsk-url-1 = {http://www.sciencedirect.com/science/article/pii/S1571064518300769},
bdsk-url-2 = {https://doi.org/10.1016/j.plrev.2018.06.013}}
@article{schafer_eerola_2018,
author = {Sch{\"a}fer, K. and Eerola, T.},
date-modified = {2021-10-30 11:14:45 +0100},
doi = {10.1177/0305735618795036},
journal = {Psychology of Music},
keywords = {Music & emotion, Social},
number = {2},
pages = {232-251},
title = {How listening to music and engagement with other media provide a sense of belonging: an exploratory study of social surrogacy},
url = {https://doi.org/10.1177/0305735618795036},
url_link = {https://twitter.com/tuomas_ee/status/1241293721737535489},
volume = {48},
year = {2018},
bdsk-url-1 = {https://doi.org/10.1177/0305735618795036}}
@inbook{vuoskoski_eerola2018_pers1,
author = {Vuoskoski, J. K. and Eerola, T.},
booktitle = {The Science and Psychology of Music: From Mozart at the Office to Metallica at the Gym},
chapter = {Personality and Musicians},
date-modified = {2021-10-30 11:24:24 +0100},
editor = {Olsen, K. and Thompson, W. F.},
keywords = {Textbook, Individual differences},
pages = {145-150},
publisher = {ABC-CLIO},
title = {The Science and Psychology of Music: From Mozart at the Office to Metallica at the Gym},
year = {2021}}
@article{bannistereerola2018,
author = {Bannister, S. and Eerola, T.},
doi = {10.3389/fpsyg.2018.02046},
journal = {Frontiers in Psychology},
keywords = {Music & emotion, Chills},
pages = {2046},
title = {Suppressing the Chills: Effects of Musical Manipulation on the Chills Response},
url_link = {https://twitter.com/tuomas_ee/status/1056819518847270912},
volume = {9},
year = {2018},
bdsk-url-1 = {https://doi.org/10.3389/fpsyg.2018.02046}}
@inbook{eerola_and_vuoskoski2021,
author = {Eerola, T. and Vuoskoski, J. K.},
booktitle = {The Science and Psychology of Music: From Mozart at the Office to Metallica at the Gym},
chapter = {Personality and Listeners},
date-modified = {2021-10-30 11:11:31 +0100},
editor = {Olsen, K. and Thompson, William Forde},
keywords = {Textbook, Individual differences},
pages = {141-145},
publisher = {ABC-CLIO},
title = {The Science and Psychology of Music: From Mozart at the Office to Metallica at the Gym},
year = {2021}}
@article{clayton_et_al_2018b,
author = {Clayton, M. and Jakubowski, K. and Eerola, T.},
issue = {3},
journal = {Musicae Scientiae},
keywords = {Entrainment},
pages = {304-331},
title = {Interpersonal entrainment in Indian instrumental music performance: Synchronization and movement coordination relate to tempo, dynamics, metrical and cadential structure},
url = {https://doi.org/10.1177/1029864919844809},
url_link = {https://twitter.com/tuomas_ee/status/1152861520373702656},
volume = {23},
year = {2018},
bdsk-url-1 = {https://doi.org/10.1177/1029864919844809}}
@article{kussner_eerola2018,
author = {K{\"u}ssner, M. and Eerola, T.},
date-modified = {2021-10-16 20:14:02 +0100},
journal = {Psychomusicology: Music, Mind, and Brain},
keywords = {Mental imagery & music},
number = {2-3},
pages = {90-99},
title = {The Content and Functions of Vivid and Soothing Visual Imagery during Music Listening: Findings from a Survey Study},
url = {https://doi.org/10.1037/pmu0000238},
volume = {29},
year = {2019},
bdsk-url-1 = {https://doi.org/10.1037/pmu0000238}}
@article{cespedes_eerola2018,
abstract = {Basic Emotion theory has had a tremendous influence on the affective sciences, including music psychology, where most researchers have assumed that music expressivity is constrained to a limited set of basic emotions. Several scholars suggested that these constrains to musical expressivity are explained by the existence of a shared acoustic code to the expression of emotions in music and speech prosody. In this article we advocate for a shift from this focus on basic emotions to a constructionist account. This approach proposes that the phenomenon of perception of emotions in music arises from the interaction of music's ability to express core affects and the influence of top-down and contextual information in the listener's mind. We start by reviewing the problems with the concept of Basic Emotions, and the inconsistent evidence that supports it. We also demonstrate how decades of developmental and cross-cultural research on music and emotional speech have failed to produce convincing findings to conclude that music expressivity is built upon a set of biologically pre-determined basic emotions. We then examine the cue-emotion consistencies between music and speech, and show how they support a parsimonious explanation, where musical expressivity is grounded on two dimensions of core affect (arousal and valence). Next, we explain how the fact that listeners reliably identify basic emotions in music does not arise from the existence of categorical boundaries in the stimuli, but from processes that facilitate categorical perception, such as using stereotyped stimuli and close-ended response formats, psychological processes of construction of mental prototypes, and contextual information. Finally, we outline our proposal of a constructionist account of perception of emotions in music, and spell out the ways in which this approach is able to make solve past conflicting findings. We conclude by providing explicit pointers about the methodological choices that will be vital to move beyond the popular Basic Emotion paradigm and start untangling the emergence of emotional experiences with music in the actual contexts in which they occur.},
author = {Cespedes-Guevara, J. and Eerola, T.},
date-modified = {2021-10-16 20:11:54 +0100},
doi = {10.3389/fpsyg.2018.00215},
issn = {1664-1078},
journal = {Frontiers in Psychology},
keywords = {Music & emotion, Theoretical/Review, Emotional expression},
pages = {215},
title = {Music Communicates Affects, Not Basic Emotions -- A Constructionist Account of Attribution of Emotional Meanings to Music},
url = {https://www.frontiersin.org/article/10.3389/fpsyg.2018.00215},
url_link = {https://twitter.com/JulianCespG/status/968856502953013248},
volume = {9},
year = {2018},
bdsk-url-1 = {https://www.frontiersin.org/article/10.3389/fpsyg.2018.00215},
bdsk-url-2 = {https://doi.org/10.3389/fpsyg.2018.00215}}
@article{reybrouck_eerola_podliniak,
author = {Reybrouck, M. and Eerola, T. and Podlipniak, P.},
doi = {10.3389/fpsyg.2018.00113},
journal = {Frontiers in Psychology},
keywords = {Music & emotion, Theoretical/Review},
title = {Editorial: Music and the Functions of the Brain: Arousal, Emotions, and Pleasure},
url = {https://doi.org/10.3389/fpsyg.2018.00113},
year = {2018},
bdsk-url-1 = {https://doi.org/10.3389/fpsyg.2018.00113}}
@article{vuoskoski_eerola,
author = {Vuoskoski, J. K. and Eerola, T.},
date-modified = {2021-10-16 20:11:18 +0100},
doi = {10.1017/S0140525X1700187X},
journal = {Behavioral and Brain Sciences},
keywords = {Music & emotion, Theoretical/Review, Individual differences},
pages = {42-43},
publisher = {Cambridge University Press},
title = {Explaining the enjoyment of negative emotions evoked by the arts: The need to consider empathy and other underlying mechanisms of emotion induction},
url = {https://doi.org/10.1017/S0140525X1700187X},
volume = {40},
year = {2017},
bdsk-url-1 = {https://doi.org/10.1017/S0140525X1700187X}}
@article{eerola_review2018,
author = {Eerola, T. and Vuoskoski, J. K. and Peltola, H.-R. and Putkinen, V. and Sch{\"a}fer, K.},
doi = {10.1016/j.plrev.2017.11.016},
journal = {Physics of Life Reviews},
keywords = {Music & emotion, Sadness, Theoretical/Review},
pages = {100-121},
title = {An integrative review of the enjoyment of sadness associated with music},
url = {https://doi.org/10.1016/j.plrev.2017.11.016},
volume = {25},
year = {2018},
bdsk-url-1 = {https://doi.org/10.1016/j.plrev.2017.11.016}}
@article{maksimainen_2017,
abstract = { Art brings rich, pleasurable experiences to our daily lives. However, many theories of art and aesthetics focus on specific strong experiences---in the contexts of museums, galleries, and concert halls and the aesthetic perception of canonized arts---disregarding the impact of daily experiences. Furthermore, pleasure is often treated as a simplistic concept of merely positive affective character, yet recent psychological research has revealed the experience of pleasure is far more complicated. This study explored the nature of pleasure evoked by everyday aesthetic objects. A mixture of statistical and qualitative methods was applied in the analysis of the data collected through a semi-structured online survey (N = 464). The result asserts the experience of emotional ambivalence occurred and was composed of a variety of nuanced emotions and related association, rather than just a combination of contradicting emotions. Such paradoxical pleasure is defined as a self-conscious hedonic exposure to negative emotions in art reception. The study also depicted four types of attitudinal ambivalence: loss, diversity, socio-ideology, and distance, reflecting contextual elements intertwined into experience, and the connection between ambivalence and intense emotional experience.},
author = {Maksimainen, J. and Eerola, T. and Saarikallio, S.},
doi = {10.1177/2158244019876319},
journal = {Sage Open},
keywords = {Music & emotion},
number = {3},
pages = {2158244019876319},
title = {Ambivalent Emotional Experiences of Everyday Visual and Musical Objects},
url = {https://doi.org/10.1177/2158244019876319},
volume = {9},
year = {2019},
bdsk-url-1 = {https://doi.org/10.1177/2158244019876319}}
@article{eerola_et_al_2018b,
author = {Eerola, T. and Jakubowski, K. and Moran, N. and Keller, P. and Clayton, M.},
doi = {http://dx.doi.org/10.1098/rsos.171520},
journal = {Royal Society Open Science},
keywords = {Entrainment},
pages = {171520},
title = {Shared Periodic Performer Movements Coordinate Interactions in Duo Improvisations},
url_link = {https://twitter.com/tuomas_ee/status/966239975120474112},
volume = {5},
year = {2018},
bdsk-url-1 = {http://dx.doi.org/10.1098/rsos.171520}}
@article{garrido_etal_2017,
author = {Garrido, S. and Eerola, T. and McFerran, K.},
date-modified = {2021-10-16 20:10:41 +0100},
doi = {10.3389/fpsyg.2017.00490},
journal = {Frontiers in Psychology, section Personality and Social Psychology},
keywords = {Music & emotion, Sadness, Individual differences},
title = {Group rumination: Social interactions around music in people with depression},
url = {https://doi.org/10.3389/fpsyg.2017.00490},
year = {2017},
bdsk-url-1 = {https://doi.org/10.3389/fpsyg.2017.00490}}
@article{bonneville-roussy_et_al_2017,
author = {Bonneville-Roussy, A. and Eerola, T. and Rust, J. N.},
date-modified = {2021-10-16 17:25:41 +0100},
doi = {10.1177/1029864917718606},
journal = {Musicae Scientiae},
keywords = {Music preferences},
title = {Age trends in musical preferences in adulthood 3: Perceived musical attributes as intrinsic determinants of preferences},
url = {https://doi.org/10.1177/1029864917718606},
year = {2017},
bdsk-url-1 = {https://doi.org/10.1177/1029864917718606}}
@article{hadley_et_al_2017,
author = {Hadley, L. V. and Sturt P. and Eerola, T. and Pickering, M. J.},
date-modified = {2021-10-16 17:26:00 +0100},
doi = {10.1080/17470218.2017.1307861},
journal = {The Quarterly Journal of Experimental Psychology},
keywords = {Melodic expectancy},
title = {Incremental comprehension of pitch relationships in written music: Evidence from eye movements},
url = {http://dx.doi.org/10.1080/17470218.2017.1307861},
year = {2017},
bdsk-url-1 = {http://dx.doi.org/10.1080/17470218.2017.1307861}}
@article{jakubowski_et_al_2017,
author = {Jakubowski, K. and Eerola, T. and Alborno, P. and Volpe, G. and Camurri, A. and Clayton, M.},
doi = {10.3389/fdigh.2017.00009},
journal = {Frontiers in Digital Humanities},
keywords = {Entrainment},
number = {9},
title = {Extracting Coarse Body Movements from Video in Music Performance: A Comparison of Automated Computer Vision Techniques with Motion Capture Data},
volume = {4},
year = {2017},
bdsk-url-1 = {https://doi.org/10.3389/fdigh.2017.00009}}
@article{reybrouck_eerola_2017,
author = {Reybrouck, M. and Eerola, T.},
journal = {Frontiers in Human Neuroscience},
keywords = {Music & emotion, Theoretical/Review},
title = {Music and its inductive power: a psychobiological and evolutionary approach to musical emotions},
url = {https://doi.org/10.3389/fpsyg.2017.00494},
year = {2017},
bdsk-url-1 = {https://doi.org/10.3389/fpsyg.2017.00494}}
@article{eerola_et_2016,
abstract = {The paradox of enjoying listening to music that evokes sadness is yet to be fully understood. Unlike prior studies that have explored potential explanations related to lyrics, memories, and mood regulation, we investigated the types of emotions induced by unfamiliar, instrumental sad music, and whether these responses are consistently associated with certain individual difference variables. One hundred and two participants were drawn from a representative sample to minimise self-selection bias. The results suggest that the emotional responses induced by unfamiliar sad music could be characterized in terms of three underlying factors: Relaxing sadness, Moving sadness, and Nervous sadness. Relaxing sadness was characterized by felt and perceived peacefulness and positive valence. Moving sadness captured an intense experience that involved feelings of sadness and being moved. Nervous sadness was associated with felt anxiety, perceived scariness and negative valence. These interpretations were supported by indirect measures of felt emotion. Experiences of Moving sadness were strongly associated with high trait empathy and emotional contagion, but not with other previously suggested traits such as absorption or nostalgia-proneness. Relaxing sadness and Nervous sadness were not significantly predicted by any of the individual difference variables. The findings are interpreted within a theoretical framework of embodied emotions.},
author = {Eerola, T. and Vuoskoski, J. K. and Kautiainen, H.},
date-modified = {2021-10-16 20:11:10 +0100},
doi = {10.3389/fpsyg.2016.01176},
issn = {1664-1078},
journal = {Frontiers in Psychology},
keywords = {Music & emotion, Sadness, Individual differences},
pages = {1176},
title = {Being Moved by Unfamiliar Sad Music Is Associated with High Empathy},
url = {http://journal.frontiersin.org/article/10.3389/fpsyg.2016.01176},
volume = {7},
year = {2016},
bdsk-url-1 = {http://journal.frontiersin.org/article/10.3389/fpsyg.2016.01176},
bdsk-url-2 = {https://doi.org/10.3389/fpsyg.2016.01176}}
@inproceedings{paschalidou2016,
acmid = {2948914},
address = {New York, NY, USA},
articleno = {45},
author = {Paschalidou, S. and Eerola, T. and Clayton, M.},
booktitle = {Proceedings of the 3rd International Symposium on Movement and Computing},
date-modified = {2021-10-16 20:08:10 +0100},
doi = {10.1145/2948910.2948914},
isbn = {978-1-4503-4307-7},
keywords = {Entrainment},
location = {Thessaloniki, GA, Greece},
numpages = {2},
pages = {45:1--45:2},
publisher = {ACM},
series = {MOCO '16},
title = {Voice and Movement As Predictors of Gesture Types and Physical Effort in Virtual Object Interactions of Classical Indian Singing},
url = {http://doi.acm.org/10.1145/2948910.2948914},
year = {2016},
bdsk-url-1 = {http://doi.acm.org/10.1145/2948910.2948914},
bdsk-url-2 = {https://doi.org/10.1145/2948910.2948914}}
@article{lameira_et_eerola,
author = {Lameira, A. and Eerola, T. and Ravignani, A.},
journal = {Scientific Reports},
keywords = {Entrainment},
number = {18914},
title = {Coupled whole-body rhythmic entrainment between two chimpanzees},
url = {https://doi.org/10.1038/s41598-019-55360-y},
url_link = {https://twitter.com/tuomas_ee/status/1205415545652305920},
volume = {9},
year = {2019},
bdsk-url-1 = {https://doi.org/10.1038/s41598-019-55360-y}}
@article{putkinen_makkonen_eerola,
author = {Putkinen, V. and Makkonen, T. and Eerola, T.},
date-modified = {2021-10-16 20:13:33 +0100},
doi = {10.1093/scan/nsx038},
journal = {Social, Cognitive and Affective Neuroscience},
keywords = {Music & emotion, Sadness, Neuroscience},
title = {Music-induced positive mood broadens the scope of auditory attention},
url = {https://doi.org/10.1093/scan/nsx038},
url_link = {https://twitter.com/tuomas_ee/status/871727878806884353},
year = {2017},
bdsk-url-1 = {https://doi.org/10.1093/scan/nsx038}}
@techreport{miditoolbox2016,
author = {Toiviainen, P. and Eerola, T.},
institution = {Durham University, UK},
keywords = {Computational modelling},
title = {{MIDI} toolbox 1.1},
url = {https://github.com/miditoolbox/},
year = {2016},
bdsk-url-1 = {https://github.com/miditoolbox/}}
@article{eerola_peltola2016,
author = {Eerola, T. and Peltola, H.-R.},
doi = {http://dx.doi.org/10.1371/journal.pone.0157444},
journal = {PlosOne},
keywords = {Music & emotion, Sadness},
number = {6},
pages = {e0157444},
title = {Memorable Experiences with Sad Music - Reasons, Reactions and Mechanisms of Three Types of Experiences},
url_link = {https://twitter.com/tuomas_ee/status/867842552824594432},
volume = {11},
year = {2016},
bdsk-url-1 = {http://dx.doi.org/10.1371/journal.pone.0157444}}
@inbook{eerola2016,
address = {New York, NY, USA},
author = {Eerola, T.},
booktitle = {The Routledge Companion to Music, Mind, and Wellbeing},
doi = {https://doi.org/10.4324/9781315164717},
editor = {Gouk, P and Kennaway, J and Prins J and Thormahlen, W},
keywords = {Music & emotion},
pages = {219--234},
publisher = {Routledge},
title = {Three controversies of Music & emotion: Neuroscience and psychology of sadness and music},
year = {2018},
bdsk-url-1 = {https://doi.org/10.4324/9781315164717}}
@article{lahdelma_eerola2016,
author = {Lahdelma, I. and Eerola, T.},
journal = {i-Perception},
keywords = {Consonance/dissonance},