Skip to content

Shaun Harris #98

New issue

Have a question about this project? Sign up for a free GitHub account to open an issue and contact its maintainers and the community.

Sign up for GitHub

By clicking “Sign up for GitHub”, you agree to our terms of service and privacy statement. We’ll occasionally send you account related emails.

Already on GitHub? Sign in to your account

Open
Shaun-Harris wants to merge 1 commit into
base: main
Choose a base branch
from
Open

Shaun Harris #98

Show file tree
Hide file tree
Changes from all commits
Commits
Show all changes
1 commit
Select commit
File filter

Filter by extension

Filter by extension
Conversations
Failed to load comments.
Loading
Jump to
Jump to file
Failed to load files.
Loading
Diff view
Diff view
39 changes: 35 additions & 4 deletions index.html
View file
Open in desktop
Original file line number Diff line number Diff line change
Expand Up @@ -5,9 +5,40 @@
<meta name="viewport" content="width=device-width, initial-scale=1.0" />
<meta http-equiv="X-UA-Compatible" content="ie=edge" />
<link rel="stylesheet" href="style.css" />

<title>The Offical AVD FANCLUB</title>
</head>
</html>
<body>

</body>
</html>
<div class="container">
<img src="https://www.rct.uk/sites/default/files/collection-online/f/3/255590-1490374157.jpg" alt="Snow" style="width:100%;">
<div class="centered">ANTHONY VAN DYCK</div>
</div>
<hr>
<h2>Who was Anthony van Dyck?</h2>
<img src="https://dw4k6npnyoqvk.cloudfront.net/what-we-do/art-weve-helped-buy/artwork/2014/national-portrait-gallery/NPG_VanDyck_1.jpg" alt="SelfPortrait" class="center">
<h4>Self-portrait by Anthony van Dyck, produced around 1640</h4>
<p>
Anthony Van Dyck (1599-1641) was a Flemish Baroque painter renowned for his exceptional skill and prolific portraiture. Born in Antwerp, he trained under Peter Paul Rubens and later became the leading court painter for King Charles I of England. Van Dyck's portraits are celebrated for their elegance, fluid brushwork, and innovative compositions. His work played a crucial role in shaping the visual culture of the 17th century, leaving a lasting impact on the development of portraiture in Europe. Van Dyck's legacy endures as one of the foremost portraitists of his time, with his masterpieces displayed in prestigious art collections worldwide.
</p>
<h2> Why was Van Dyck revolutionary for his time? </h2>
<p> Anthony Van Dyck was revolutionary for his time due to his transformative impact on portrait painting in the 17th century. He departed from traditional stiff poses, introducing a more natural and expressive style. Van Dyck's innovative use of loose brushwork, dynamic compositions, and attention to psychological depth brought a new level of sophistication to portraiture. His ability to capture the personality and character of his subjects, especially in courtly settings, set a standard that influenced subsequent generations. Van Dyck's approach not only defined the Baroque era but also laid the foundation for the evolution of portraiture, marking him as a trailblazer in the art world. (examples below)
</p>
<img src="https://upload.wikimedia.org/wikipedia/commons/8/86/Elizabeth_1_1560.jpg" alt="ElizabethI" class="center">
<h4>Elizabeth "in blacke with a hoode and cornet", the Clopton Portrait, c. 1558–60</h4>
<img src="https://upload.wikimedia.org/wikipedia/commons/thumb/2/2f/Sir-Anthony-van-Dyck-Lord-John-Stuart-and-His-Brother-Lord-Bernard-Stuart.jpg/1280px-Sir-Anthony-van-Dyck-Lord-John-Stuart-and-His-Brother-Lord-Bernard-Stuart.jpg" alt="Stuart Brothers" class="center">
<h4>Anthony van Dyck, Lord John Stuart and his Brother, Lord Bernard Stuart, c.1638, National Gallery, London</h4>

<h2> What could contemporary artists learn from Van Dyck?</h2>
<img src="https://www.frick.org/sites/default/files/styles/max-wh_full/public/exhibitions/3_Prado_LadyVanDyck_2000.jpg?itok=UevBAT1-&slideshow=true&slideshowAuto=false&slideshowSpeed=4000&speed=350&transition=elastic" alt="LadyvanDyck" class="center">

<p>Contemporary artists can glean several valuable lessons from Anthony Van Dyck. First and foremost is his mastery of capturing personality and emotion in portraiture. Studying his use of expressive brushwork and innovative compositions can inspire artists to infuse their work with a deeper sense of life and individuality. Additionally, Van Dyck's ability to adapt and navigate various artistic influences, such as his training under Rubens and later work in England, underscores the importance of versatility and continuous artistic development. Contemporary artists can learn from his commitment to pushing boundaries, embracing innovation, and leaving a lasting impact on the evolution of art.
</p>
<hr>
<h2>Fake or Fortune?</h2>
<img src="https://upload.wikimedia.org/wikipedia/commons/e/e6/Attributed_to_Van_Dyck_-_Queen_Henrietta_Maria_as_St_Catherine.jpg" alt="QueenHenriettaMaria" class="center">
<h3> Watch this epsiode of Fake or Fourtune, as a long lost artwork is revealed from beneath the paint surface! </h3>
<a href="https://www.youtube.com/watch?v=GbwKOnOEw74"><span style="text-align:center">Watch Here!</span></a>
</body>
<footer>
<h3> Thank you for visiting our fanpage!</h3>
</footer>
69 changes: 69 additions & 0 deletions style.css
View file
Open in desktop
Original file line number Diff line number Diff line change
@@ -0,0 +1,69 @@
body {
background-image: url("https://www.rct.uk/sites/default/files/collection-online/f/3/255590-1490374157.jpg");
background-repeat: no-repeat;
background-attachment: fixed;
background-size: cover;
}
.centered {
position: absolute;
top: 50%;
left: 50%;
transform: translate(-50%, -10%);
font-size: 30px;
color: white;
}
hr {
position: relative;
top: 20px;
border: none;
height: 5px;
background: white;
margin-bottom: 50px;
}
h1, h2 {
background-color: white;
text-align: center;
font-size: 40px;
color: black;
text-decoration: underline;
text-decoration-color: grey;
letter-spacing: 3px;
}
p {
background-color: white;
font-size: x-large;
letter-spacing: 3px;
}

.center {
display: block;
margin-left: auto;
margin-right: auto;
width: 50%;
}

h3 {
background-color: white;
text-align: center;
font-size: 20px;
letter-spacing: 3px;

}
h4 {
background-color: white;
font-size: 10px;
text-align: center;
letter-spacing: 3px;
}

a {
position: sticky;
font-size: 30px;
background-color: rgb(37, 35, 39);
color: white
}
li {
color: white;
font-size: 30px;
text-align: center;
}