1988. After years of having an interest in sans serif typefaces, the make use of the experience and stylistic developments of the twentieth century.

Aldo Novarese designed Eurostile, but I remastered these by extending glyphs, multilingual support, added greek and cyrillic.

Designed for the Stephenson Blake type foundry. A very heavy, narrow, sans serif face intended for use in newspapers, for headlines and in advertisements. Aptly named, this face has a very large "x" height with short ascenders and descenders.

A geometric sans-serif font with a modern look. This font features a clean, geometric design with thin strokes and a modern aesthetic. The characters are evenly spaced, with a uniform line weight that gives it a sleek and minimalist appearance. Ideal for modern branding, minimalist posters, and sleek editorial layouts.

A modern, geometric sans-serif font with clean lines. This font features clean, geometric lines with a modern and minimalist aesthetic. The characters are evenly spaced with a consistent stroke width, contributing to its legibility and sleek appearance. Ideal for branding, advertising, and editorial design projects.

A modern, neutral sans-serif typeface with high legibility. This is a clean and modern sans-serif typeface with a neutral and straightforward appearance. It features uniform stroke widths and a high level of legibility, making it versatile for various applications. Ideal for corporate branding, signage, web design, and editorial layouts.

A group of many serif typefaces, named for sixteenth-century Parisian engraver Claude Garamond, generally spelled as Garamont in his lifetime. Garamond-style typefaces are popular to this day and often used for book printing and body text. Ideal for book typesetting, formal invitations, and editorial design.